Category Archives: Signs

Prognostications, fortune-telling, etc.

Angel Signs (Folk belief)

“My mom does this really sweet thing where when she goes on walks she’ll pick up things that catch her eye and puts them on this shelf in her room and she calls them her angel signs. She’s picked up feathers, rocks, pinecones, stuff like that – but not just regular ones, ones that are special looking, like if they have an interesting color to them or shape or something. They make her feel like angels are watching over her. She thinks this about a lot of things, like signs from nature mean someone or something that’s passed is looking out for us – like when our pet rabbit died, she starting saying every rabbit that came into our yard was an angel sign that the rabbit was still with us. She likes to take the objects with her to bring us more protection by those angels I guess.”

My informant spoke very affectionately about her mother as she recalled this folk belief/ritual that she often partakes in. While I find complete validity in her assumption that her mother brings home these objects as a way to bring protection to the household, I wonder if she does this knowingly. My informant was quite specific about how her mother felt about these items, that they were signs from angels, but she wasn’t certain about her mother’s intentions upon bringing them home. I wonder if it is partially due to a fascination with the objects in general, mementos so that she will never forget a moment when she felt seen, protected, and closer to something spiritual.

An Auspicious Day

Text: “An Indian superstition I grew up hearing is the belief in starting a new job or aspiration on a Monday or a Wednesday. I think the superstition somehow stems from Vaastu, which is Indian astrology. It involves adding up the numbers of a date to check if they correspond to a number considered lucky for that individual. For example, if the date was 04/21/24, then you would add up all the individual digits in that date: 4 + 2 + 1 + 2 + 4. Those numbers add up to 13, and if 13 is one of that individuals lucky birth numbers, then it is auspicious to start your work or your personal journey on that date. Typically, my family would choose Mondays or Wednesdays to commence new endeavors.”

Context: My informant – a 23-year-old man from Bangalore, India – explained this superstition to me that was passed down to him by his parents. It involves calculating the numerical value of a chosen date by adding up its digits and checking if the resulting number corresponds to a lucky birth number for the individual. If the number is indeed a match to that lucky number, then starting work or embarking on a personal journey on that date is considered favorable according to this belief system. This cultural tradition reflects the importance of astrology and numerology in Indian customs, where specific dates and days are believed to have varying levels of auspiciousness based on these calculations. My informant’s family tradition of choosing Mondays or Wednesdays for new endeavors highlights the continuity of such beliefs across generations within Indian families. While my informant said he isn’t entirely of the belief that this superstition carries much weight, he said that the importance of it to his family is the reason why he tends to begin his own work or personal journeys on Mondays or Wednesdays. 

Analysis: In exploring this Indian superstition, I was struck by the profound cultural and familial significance embedded within this belief system. The practice of choosing specific days, such as Mondays or Wednesdays, to commence new endeavors reflects a deeply rooted tradition shaped by astrology and numerology in Indian customs. My informant’s account underscores the intergenerational transmission of folklore and the enduring influence of family traditions. Despite personal reservations about the superstition’s efficacy, my informant continues to honor this practice out of respect for familial customs. This highlights the complex interplay between personal beliefs and cultural heritage, illustrating how folklore serves as a conduit for preserving and passing down cultural values across generations.

The superstition’s association with Vaastu, a form of Indian astrology, adds another layer of cultural depth, emphasizing the importance of harmonizing personal actions with cosmic energies for auspicious outcomes. By aligning with astrological beliefs about favorable planetary influences, individuals seek to enhance their chances of success and prosperity in their endeavors. Furthermore, my informant’s adherence to this superstition reflects broader cultural values of interconnectedness with the cosmos and the belief in personal agency within larger cosmic forces. The choice of auspicious days for new beginnings symbolizes a desire to harness positive energies and navigate life’s challenges in alignment with cosmic rhythms. It highlights the enduring significance of traditional beliefs and practices in shaping individual choices and perspectives, underscoring the rich tapestry of cultural heritage embedded within Indian folklore and the broader cultural landscape.

“Bread and Butter” (Splitting the Pole)

• saying/banisher of bad luck

Many people subscribe to the superstition that “splitting the pole,” or in other words, walking on two different sides of a (usually tall and inanimate) object, i.e. a pole, is bad luck–sometimes promising a split in the pair’s relationship, poor fortune, or even death for one or both parties, according to different beliefs. 

Of course, for various reasons, sometimes it is impossible for two people to avoid splitting the pole, in which case one of them must say “bread and butter” to undo the bad luck. This is presumably tied to the idea that splitting the pole will cause the two to separate in some way, and butter can’t really be separated from bread once spread. 

While there is limited written documentation/proof, because the superstition around splitting the pole seems to have originated among Black Americans, many point to the context of slavery, the life-or-death need for enslaved people to stay together and seek protection in numbers, and the ever-present threat of external parties dividing them from loved ones. 

However, “bread and butter” makes even physical separation powerless, restoring the protective powers of community, especially in travel. 

The Safety of a Dollar Bill

“Every time I leave to go on a trip, I put a dollar bill in front of Ganesha to bless myself with safety for my travels to whatever destination”

Whenever she is traveling, she never forgets to put a one dollar bill in front of a statue of Ganesha, one of the most worshipped Hindu deities or gods. In Hinduism, Ganesha is associated with success and removes obstacles in one’s life.The dollar bill is an offering to Ganesha in order to receive a blessing of peace and safety on her next adventure. This money is never touched again and never removed. Every dollar bill she has placed in front of Ganesha throughout her life still sits right as she left them. While her parents taught her this practice, this ritual has been passed down many generations of her family and is a largely shared practice in the Hindu religion and culture.

I had never heard of this spiritual ritual before, especially when traveling or embarking upon a new adventure. My familiarity with an act like this is something similar to leaving a dollar or a trinket on a shrine of a god or a spiritual entity one believes in. For example, in Catholicism, Saint Christopher is the saint of protection and guidance for those on journeys, and people in this religion will wear a pendant with this saint on it for a sense of safety. This demonstrates the variability and immense diversity in folklore; some traditions are similar and hold comparable values while coming from totally different heritages and backgrounds. While folklore does not always stem from religious beliefs, this shows that it can interlace with so many different categories of life and be passed throughout centuries, while still holding on to key aspects of the tradition, story, practice, etc. Overall, this ritual that this person practices examples how traditions are passed down throughout generations and entire cultures with adaptability to circumstance and environment. For example, this person and her family use a dollar bill to represent the token given to Ganesha, while in India, or other countries where Hinduism is practiced, these tokens may be different, whether it is a different currency used or something completely different, such as a special trinket. Folklore has the ability to shape individuals practices and beliefs all while creating and sustaining a connection to cultural communities.

In the Stone Signal

The informant is a third year in the USC Trojans Marching Band.

The gesture is, using my left hand to make kind of a fist, you’re holding it upright. And then you take the other hand, you point your pointer finger (laughs) and then you stick that finger in the hole that your fist makes. But it’s important that it’s standing up.

-Informant Describing the Gesture

[How do you use this gesture?] I’m in the band. The Trojan Marching band of USC, Fight On. [Fight on] And this (hand gesture) is what the director would make when he is trying to call this song. Often times you can’t really hear Jake (the director) over the crowd noise, so he’ll make the gesture so we can know what we’re playing even if we can’t hear him. And it’s passed down. I can turn around and make the gesture at someone behind me and they’ll get it and pass down the gesture (to people behind them). [For the studio audience here, what song does it signifying you’re playing?] It signifies that we are playing in the stone. [Do you know how it came to be?] I assume that the fist is meant to be the stone (laughs) and the finger is meant to be the sword in the stone, so that brings it together to the name-sword in the stone (laughs). [Finger in stone, got it]

-Interview with the Informant

The gesture is one of many that the USC Marching Band uses during games. Someone who is not in band would not know any of the hand gestures as they would have no use for them. The band has an incredible strong bond as a group, which is reflected in the oodles of folklore it contains. Even in the interview with this informant, there was a demonstration of the band’s unique atmosphere. The informant referred to Dr. Jacob Vogel as Jake, something that only band members second year or up are allowed to do. People outside of band probably don’t know its director by name (Dr. Jacob Vogel), and certainly wouldn’t know him by the name Jake.

Additionally, this gesture demonstrates how some folklore is spawned as a solution to a problem. In this instance, the problem that the band faces with communication. Because of how hectic the games, both football and other sports, are, they are unable to hear what the director calls next. They have to rely on each other to pass back the song called both verbally with hand signals and this reliance strengthens their bond as a folk group. The informant’s understanding of why the gesture is the way it is draws upon a well known legend of King Arthur. The informant says that the finger signifies a sword in the stone, the stone being made up of the other fist, a clear reference to the sword in the stone which is a central part of the King Arthur legend. The song’s title, In the Stone, does not reference a sword in the stone, but instead that the love described in the song was written in stone, a reference to the Biblical story in which Moses receives the ten commandments written on stone tablets. Whether or not the gesture is a reference to the sword in the stone or just a demonstration of something being in a stone, the reference to a different very widespread piece of folklore in a much more exclusive piece of folklore was worthy of note.