Category Archives: Customs

Customs, conventions, and traditions of a group

Telling the Bees

LH: In my families old farm in the Midwest, whenever a family member passed away someone had to go out to the backyard and ‘tell the bees’. You have to knock on each hive and whisper the name of the person who died. If you don’t tell them, the bees,

Context: The informant is a close friend, and he learned this folklore through ancestral tradition through the maternal line, originating from English Immigrants who settled in the Midwest. We were disscssing ecology for another class when he told me this story. To the informant, this custom represents a deep “ecological contract” in which his family is keeping the bees in the loop because they regard them as family due to their facilitation of plant life. Its an honor code as they believe the bees deserve to be a part of the mourning process.

Analysis: Telling the bees is a profound example of a folk custom that illustrates animism, the attribution of living should to plants, inanimate objects, and animals. The ritual serves a vital functioning purpose in the grieving process: it forces the bereaved to step outside the domestic sphere and engage with the natural world, providing a structures, meditative task during a time of emotional chaos. Historically, this piece of folklore responded to the high stakes of rural survival. The loss of bee colonies is a significant economic blow, highlighting how some folklore practices arise out of necessity,

Rave Cards

Age: 23

Date Collected: 04/27/2026

Context:

My roommate and friend of three years has been involved in the rave scene for about 5 years now. More specifically, he helps out one of the largest hard techno organizations in the country. He occasionally DJs, mixes, and knows a lot of people in the scene. The organization he works for and the scene he is involved in are more underground; they throw warehouse raves around the Los Angeles area. He was showing me his collection of items he’s gotten from raves and festivals, and these unique cards really stuck out to me.

Text:

My friend was telling me about the deep culture and really interesting community of LA’s hard techno scene. The organization he works with, 6 AM, recently started giving out custom Pokémon-style playing cards at shows. They don’t have any official name yet, but my friend calls them rave cards.

The cards are unique to each event; new ones are made for each night they have shows. Most cards feature a performer, headliner, or crew member specifically from the show you attended. They also feature brief descriptions such as “type: human” or “age: unknown” to build lore about the performers. The special attacks listed are either inside jokes, the DJ’s popular songs, or just funny facts about the character. They range in rarity, with headliners and special guests being rarer and more desirable. Those rare cards are typically printed with foil or holographic coloring to make them stand out visually from the rest. Performers returning to perform at a 6 AM event receive multiple evolutions on their cards. So my friend has some performers with multiple evolutions. You can see that the yNOTI cards are a first and second evolution. There are also other cards, like quest cards and curse cards. For example pictured above, one card jokingly curses ravers for an ever-growing bathroom line that stretches for miles. Another quest card challenges ravers to meet new people and high-five them. My friend says there’s no real benefit or reward to completing the challenges, or to being cursed. It’s just for fun to mix things up.

To get the cards, you need to find “KL,” the organization’s marketing guy, somewhere at random in the crowd. When you find him at a show, ask him for a card, and he’ll fan a deck of cards faces down, and you get to pick one card. The cards are all free, but “he only prints about 50 per event, so you have to find him quick.” He also doesn’t give them out before 2 A.M. because the event hasn’t really started yet, and it would be unfair to give them all away so early. There’s no special quote or saying he says because the sound systems are pretty loud and conversations are hard to hear. “You only get one per show. Once you pull your card for the night, you can’t switch with him or try again that night.”

My friend told me that KL makes the cards himself. He comes up with the designs himself and has a card maker at home; he creates all of them himself. My friend doesn’t think that the idea is completely original. But it might be pretty close to being new or original. KL makes cards for crew members’ birthdays, as well as making enough for the crew. One of our friends who got one made for them didn’t even know about it till they were given out on her birthday. KL pulls the pics from Instagram or online and edits them to fit whatever vibe he is feeling. My friend explained that all the cards are KL’s ideas; he doesn’t really ask the artists or headliners what they want on them. KL definitely takes pride in this and sees it as art. My friend explained that only people who are really into the scene will get cards, because most people don’t know to find KL or that the cards even exist.

My friend has amassed quite a collection; he has about 25 cards, and they only started this new trend last year. People collect these cards and trade them with one another at shows. But again, this is fairly unique to one organization operating mainly in LA. My friend can’t think of any other companies really doing this, definitely not “mainstream” rave companies. We tried finding stuff online about this, but it’s pretty hard to find and also unique to the hard techno scene. Other raves he has been to don’t really have those cards; they have other things.

But he does have a card from another popular DJ, Vendex. That DJ plays in the hard techno scene and is really on top of trends and personal branding. Vendex designed and makes his own Yu-Gi-Oh!- style playing cards, which he personally hands out at events to fans and friends. My friend has one of these, which is one of the coolest stories behind a card he’s got in both of our opinions. He met Vendex outside an event. Vendex was unmasked, and they talked for a while about the genre, scene, and equipment. After, Vendex gave him the card and followed him on IG. My friend has also gotten real Pokémon cards handed to him by other ravers at events. So maybe that friendly community interaction inspired KL to make custom cards.

Analysis:

I got to document a tradition that’s only just beginning to develop, which was really cool to me.

KL rightly sees himself as an artist. He is a true folk artist creating art that is unique to his community. These cards mainly hold value to ravers because they loved that night’s set. But, it could also be because they love the DJ or the card itself. Although he gets paid by the organization, KL doesn’t make any commissions off the cards themselves. They’re for the love of the game and to build lore, community, and excitement. Aside from being an artist, KL is kind of recording the history of his organization. The cards are marked with days, specific performances, inside jokes, and the performers or crew themselves. This memorializes significant events and gives people ways to remember fun events. Also, the only way you could get them is if someone tells you who KL is, you find him, then ask him. Although the cards themselves are physical, the ways you get them and learn about them are not.

These cards are also a fantastic example of bricolage folk art. They recombine elements like Pokémon cards, taking them from a commercial purpose, giving them a memorial and independent meaning. In fact, my friend told me that he’s been given Pokémon cards many times at events long before Pokémon came on the scene. Maybe, that pre-existing folk custom is what incentivized KL to make his cards. Unlike other folk art or collections, these cards create a hierarchy and bestiary of characters, jokes, and people. It shows what’s popular at a certain time, who or what the community values, and what’s worth preserving. As well as categorizing them by type and highlighting what makes each unique. Also, what’s interesting is that the cards are static. You might be pissed you pulled a “low” card or a non-trending artist. But then, 5 months later, that original, pre-fame card is so much more special and valuable once the artist blows up. Similarly, the evolution system rewards and reinforces performers to stay loyal to the company. Of course, the DJs don’t really care much about the cards, but it’s a small thing that does help.

The cards are also anonymous; the backs are unique to each show, but fanned out and in the flashing lights, you can’t possibly tell them apart. The act of choosing one is something like divination. You don’t actually pick the card, with the smoke lingering from the fog machines, neon lights, and dark, heavy atmosphere, you feel like the card has selected you. Especially when you get the one you wanted. I’ve been to shows with my friend, but never picked a card. We typically get there fairly early, around midnight, but even then, the atmosphere feels unreal. It feels magical. The cards only enhance that atmosphere.

Comparing the 6 AM cards to Vendex’s is also interesting. Because 6 AM’s is made by an individual who has minimal connection to the characters he creates and the cards he produces. He doesn’t do it so much for branding, instead its more for the love of the game and to reward people involved in the scene. They’re anonymous and fairly impersonal. The person who draws the card decides the value from context. Vendex’s cards, on the other hand, align more with personal encounters, narratives, and personal branding. He personally creates them and gives them out after meeting people. That’s an important difference from the 6 AM cards. The story of how you met him, the conversation you had, and in my friend’s case, being followed on IG was as important as the card itself.

The cards are difficult to make mainstream. The company branding and personal images aren’t something that a company can easily profit off of selling. KL giving these out for free in a limited number and only to people who showed up somewhat resists the capitalist tendencies to commodify folklore. That is especially important when a lot of the organization’s other marketing strategies (merch, purchasable mixes, and branded collabs) are all monetized. The cards are by the people, for the people.

Never accept money with your left hand

Age: 23

MN: “I have Nigerian ancestry. My parents both immigrated from Nigeria at a young age, so they are, you know, American largely, but they also have their roots in Nigeria. I have many family, both there, and here. So we kind of kept a somewhat watered down version of Nigerian culture in our family for a while now. Um, I was told a lot when I was a kid or younger that I should not ever take money with my left hand. You know? If someone could be able to give me change or if I’m taking money from an adult for- for a gift, I won’t ever use my left hand to take it.”

Interviewer: “Who specifically would tell you?”

MN: “Uh, a parent, an older person, an aunt, an uncle, a grandma, would all say the same thing, have the same note. Like: ‘hey, don’t do that. That’s not good.’ Right? I never got a deep dive into why, but it was always kind of a, like, it’s not respectful. It also has some element of bad luck to it. Like, you know, it doesn’t bode well for you to take money or take things with your left hand, which, in a sense, is kind of like a more ‘evil’ or, you know? Unlucky. I think there’s a worldwide kind of culture against left-handedness in general. We have the same thing over in Nigeria, I guess. There was also, what was it? There was the… Um… pockets. Yeah, hands in pockets. That was more directly related to laziness and being seen as lazy. Like if you’re at home and, you know, you should be doing chores maybe, having hands in your pocket shows shows that you are- that you have free time. Those kind of had the same “correction” when I did those things, either taking money with the wrong hand or having my hands in my pockets. It always felt like ‘this is not good for you to do.’ So, I don’t know if they’re related in any way beyond that. But I’ve always had the same kind of like, It always had like, it always felt like those 2 things were kind of related. In a way.”

Context: As stated in the interview, the informant is Nigerian American, and grew up in the United States. During the interview, he stated that some Nigerian customs that his parents were taught may have been “watered down” the longer they have stayed in the United states. He still feels as though these customs have heavily influenced how he grew up, and he still practices many of them to this day.

Analysis: There is a strong cultural association with the idea of left and right equating to good and evil. This isn’t specific to Nigerian culture, and can be found across many cultures around the world. It’s interesting how multiple different cultures can develop similar folklore, and how those ideas can also vary depending on the family, location, or personal experiences of the person sharing those ideals. I believe this is a mix of family folklore and a folk belief/ superstition that accepting money with your left hand is “bad luck”. This also reinforces social norms, like what is considered polite and rude specifically within the informant’s family and within his overall Nigerian folk group.

Claddagh ring

Age: 22

“I am white, specifically mostly Irish and Italian, and this story particularly has to do with the west coast of Ireland. Basically, in the west coast of Ireland, and specifically in the city of Galway- I don’t even think tradition is quite the right word, but there is a symbolic gesture, that goes along with a like very specific object. it’s called a Claddagh ring. The Claddagh symbol is a heart being held on either side by 2 hands with a crown on top of it. I’m fairly sure that it originates from the city of Galway, if not, just the west coast of Ireland. Um, but it, historically symbolizes love, loyalty and friendship, not necessarily to like a crown of any sort. It doesn’t maintain that sort of, like, colonial affiliation with England in any sort of way, but that’s what the symbol, like, visually looks like. Traditionally within Irish culture and something that the Irish friends in my life also very much observe and believe in: You cannot give one to yourself- or you can’t buy one for yourself. It’s considered bad luck to purchase that for yourself. It has to be given to you. I think that that has some kind of cool relation to the way that the Irish language thinks about possession and ownership. There’s actually no way to say that something is yours in the Irish language. You just say that something is on you or with you or near you. I think that’s a pattern in a lot of different native languages too, that that idea of possession actually can’t be directly expressed in the language. I think that that’s kind of an interesting reflection in an important tradition. sometimes Claddaghs are worn as wedding rings, not all the time. There’s also a little bit of I think slightly more modern folklore or like tradition around wearing Claddagh rings, which is that, no matter what finger you’re wearing it on, if you flip the ring around so the heart is like facing away from you, that usually means that you’re single or like that your heart is open. Then if you flip it the other way, it means that you’re married or taken.”

Context: The informant studied abroad for a semester in a university in Galway, which is a city in the Republic of Ireland. They have Irish ancestry and wanted to study abroad in Ireland specifically to get more in touch with their Irish roots. They made many friends during their semester abroad and learned many folkloric traditions that their Irish friends taught them. They were gifted a Claddagh on their last day in Ireland by a group of friends before returning home to the United States, where they currently live and grew up.

Analysis: The ring itself is socially assigned meaning, and symbolizes social status such as being “taken” or “single”. I think the custom that it should not be bought for yourself is really interesting, and its association with bad luck reinforces social bonds. Like many other folklore, this piece of tradition and culture also comes with bad luck consequences if not followed correctly. Since it must be gifted, it gives more meaning when you receive one. The nonverbal communication of one’s relationship status using the heart symbol while wearing the ring creates an esoteric “in” group specifically Irish people who are familiar with the Claddagh ring tradition can recognize. Wearing this ring is also an indication of reinforcement of Irish culture or status.


Anhui Province Legend

Age: 18

TEXT

Interviewer: “Okay, would you like to introduce yourself?”

MC: “Yeah, hi, my name is ANONYMOUS, and I’m a freshman student at USC University.”

MC: “My story is set in a park in my hometown, and in the park, there’s a trail and along the trail there’s a cave called the cow nose cave. This cave has two holes that are kind of shaped like a cow’s nose, and there’s a legend about how it’s dangerous if you put your arm or fingers into the hole, as there might be a very mysterious force that basically sucks your whole arm in and it can be very dangerous. So kids are advised not to put their arms into the hole.”

Interviewer: “Was that a story, or like a legend that was always around or more of a family legend?”

MC: “It’s known in our region and it started like – actually I don’t know when it started but I heard it from my parents.”

Interviewer: “Ohhh I see.”

MC: “Yeah they told me not to put my arms in there, yeah.”

CONTEXT

My relationship with this informant is that she is my classmate for this anthropology lecture. My informant is an international freshman student at USC, originally from China. As mentioned in the text, her relationship to this piece stems from her hometown, in which a notable landmark has a surrounding legend that was passed down to her by her parents.

ANALYSIS

Considering this piece is set in the real world and tied to a real location, this is a legend that functions as a cautionary tale for children. In my opinion, it’s plausible that this legend started from a worried parent who could not supervise their curious children 24/7 – rather than explaining all the actual dangers of sticking your arm into an unknown hole, like injuries from getting stuck or getting bit by creatures that may be inside, replacing this with a supernatural force is a more vivid and memorable warning to children. As this legend spread informally to other children and generations after, a cultural value that may come specifically for this region in China is that an ordinary cave is now enshrined forever as a supernatural landmark with a distinct legend.