Category Archives: Holidays

Holidays and holiday traditions

Halloween Costumes

Nationality: United States
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Language: English

Text: “Ever since I was little, I have always dressed up for halloween. When I was a little kid, it was always something fun like Rapunzel or Dorothy. As I have gotten older, I have put more effort into more creative and funny costumes, often matching with my friends. Even now I still dress up, just this last Halloween my friends and I all dressed up as the Powerpuff Girls. Even though I’m not trick-or-treating and often going out with friends, I always have to be in costume for Halloween.”

Context: This ritual was shared by the informant, N, during a conversation about holiday traditions that continue into adulthood. N explained that regardless of her age she will always continue wearing a costume for Halloween. While wearing a costume may seem rather simple, it helps set Halloween apart from a regular day. N also noted that the process of planning a costume often involves friends, adding a social element to the tradition. To N, this ritual is less about trick or treating and more about the feeling of celebration and self expression.

Analysis: This is an example of a calendar-based ritual tied to seasonal celebration and self-expression. In the U.S., dressing up for Halloween is quite common and allows individuals to express their identity through costume. For children, it often represents imagination and fantasy, while for teens and adults it becomes more of a creative and social outlet. The continuation of this ritual into adulthood shows how folk traditions can evolve with age. As N grew, she didn’t abandon this ritual but instead adapted it to fit her changing identity.

Passover/Seder – Holiday

Nationality: Israeli-American
Age: 17
Occupation: High School Student
Residence: Bellevue, Washington
Language: English

Text:

The celebration of Passover starts with the Seder which is a big community event where a bunch of people get invited over. It is a very long event where there is structured text with a melody that retells the story of Jewish people being enslaved in Egypt. The entire dinner is choreographed, the text tells you when to drink, refill your wine, when to drink, when to lift the matza, etc. There are symbolic foods, such as a hard boiled egg which symbolizes the way Jewish people went from being soft to being hard due to pressure. There is a part where a glass of wine is meant to be left outside for someone from the story. At the end, there is a lot of singing after everyone has drunk four glasses of wine.

Context:

The informant was raised Orthodox Jewish and grew up engaging with their family’s Passover and Seder traditions. They say they enjoy it but the kosher matza that is used tastes bad. There is also a moment where the youngest child (which they are) has to stand on a chair and sing, which they also dislike. The informant says that the reason that the glass is left outside is because historically, people who were antisemitic would leave bodies outside the homes of Jewish families because they believed Jewish people drank blood. By opening the door in the middle, the group can check if someone had left a body outside. The informant mentioned that their grandmothers would argue about which melody was correct because each family had a different tune for the words.

Analysis:

This holiday is a community event, meant to bring people together. The purpose is to remember the past and commemorate the strength and perseverance of the Jewish people. Remembering the past of a culture is a way of remembering who the people are. In the case of Passover and slavery, remembering the past is a way of preventing it from happening again. As the Seder dinner is a historical retelling of the events, the purpose is to commemorate the people who came before while celebrating the survival of the people now.

Since the event happens at sundown (the start of the Jewish day), it is centered around food. The story itself incorporates the food into the process, connecting it to events or people. This entwines what people are eating with the story they are telling, allowing them to still eat during the event.

The modern addition of checking outside the house for a body is a result of antisemitism. Before, people wouldn’t have to worry about checking outside so that wasn’t part of the story. As it became necessary though, it became part of the celebration as the glass of wine was left specifically for a character in the historical story. The needs of the people were incorporated into the traditions of the ritual so well that if someone doesn’t know the context of opening the door, they might not realize it came from antisemitism.

The melodic element of the retelling comes from how Hebrew is spoken from the Torah which is in a singing-like manner. This is extended to the Hebrew spoken during this event because it is also a religious text. Melody allows for a text to be better remembered. By connecting words to a melody, it allows people to remember what to say for the whole three hour event better which would have otherwise been practically impossible. The informant’s own family had two different melodies that were used and they argued over which was correct. These melodies can become part of family identity and religious identity. This makes it hard for people to use a different melody because of how important their version is to them. Changing it would feel wrong and incorrect.

Purim – Holiday/Traditions

Nationality: Israeli-American
Age: 17
Occupation: High School Student
Residence: Bellevue, Washington
Language: English

Text:

The basis of the celebration for Purim is about a historical event. The Persian monarchy cast an order to kill all the Jewish people but the king’s Jewish wife was able to convince him to send another order for Jewish people to defend themselves. The Jewish people won so the holiday is a celebration of winning and not dying. The celebration for the Informant’s family is to create puppets of the characters in the story and then act it out for the parents. In general, the holiday is a chance to dress up, sometimes as characters in the story but in more modern celebrations, people are able to dress up as whatever they want. People also make gift baskets to give to friends and neighbors. People are encouraged to drink a lot, party, and have fun.

Context:

The informant is from an Orthodox Jewish family and engaged in this holiday while growing up. They learned about it from their parents and the community around them. The informant said they enjoy the party aspect and they liked having two Halloweens as a kid. When they were younger, they also dressed up, at first as characters from the story but eventually they did other things like being a cat. They mentioned that since this is basically the only Jewish holiday that is about Jewish people winning rather than remembering tragedy, they’ve always enjoyed it.

Analysis:

The holiday is meant to be a celebration with drinking and partying. Allowing people to celebrate through fun costumes both historically and in modern times gets them into the story of the celebration even more. Historically, the Jewish people would have celebrated winning the fight and surviving. By dressing up as the characters who would have been celebrating, Jewish people are able to tie themselves back to that period and the emotions that would have been felt at the time.

Although historically, people would only dress up as characters from the story, this has changed to be a more broad costume party in modern times. This might have been influenced by Halloween as the two holidays spread throughout cultures towards each other. The informant even mentioned how they were always excited to have two Halloween celebrations.

This holiday is also a community event where people come together to celebrate the victory of the past. Along with the celebration, people give gifts to each other to continue the social connections they have. Giving gifts is present in many Jewish traditions and this one is no different. Gifting something is a way of telling someone you care about them, that you are thinking about them, and that you want them to have something from you.

The informant mentioned that when they were younger, the kids of the family were expected to perform the story through a puppet show. This is a fun way of teaching children the story of the holiday while also making it fun for them to engage with it. As this holiday is one of the few that commemorates a victory, the parents would want to tell children the full story with all the details.

Banging Pots and Pans on New Years 

Nationality: Mexican-Filipino American
Age: 22
Occupation: Engineer
Residence: Irvine, CA
Language: English

Text

“Every New Year’s Eve, right when the clock strikes midnight, my family rushes outside and we start banging on pots and pans like our lives depend on it. It’s loud, chaotic, and silly if you are a neighbor watching next door.

We don’t do this tradition just to make noise for fun, we are scaring away bad spirits. My Lola would say, ‘Make it so loud the malas (bad luck) can’t follow us into the New Year.” i feel like this tradition is not about silence and reflection. It’s more about being loud, communal, and kind of joyful. It shakes things up and clears space for something better.

Every year, no matter where I am, I find something to bang. When I’m not at home, I’ll use a cup and spoon if need be. Because for me, the noise is more than just a tradition. It is a way of saying that we made it to a new year and that we should chase bad spirits away and welcome what is to come next.”

Context 

The informant reflects on a recurring family ritual: banging pots and pans at midnight on New Year’s Eve to ward off bad luck. She traces the tradition to her lola (grandmother) and describes how this action has remained central to her family’s New Year’s celebration.

The informant highlighted how rituals passed down through generations become markers of cultural identity even when performed in different settings from where her grandmother originally would do this to where her family does it now.

My interpretation 

From a folklore perspective, banging pots and pans on New Year’s Eve functions as a protective folk belief ritual that’s aligned with what James Frazer termed magic superstitions. In this case it would be conversion magic where action is required to prevent misfortune. The practice is not institutionally religious but it operates within a system of vernacular spirituality and community belief that’s passed down through generations in domestic spaces.

The ritual also fits within a life cycle of belief systems surrounding transitions and thresholds like what Victor Turner would call a liminal moment. The striking of the pots is part of a ritual of noise that marks and manages a cosmic shift. Symbolically, the sound disorients evil, clears spiritual residue from the old year, and prepares the household for prosperity.

This ritual functions as both cultural preservation and performance of identity. It’s an informal act of heritage that resists assimilation by rooting the celebrant in a shared memory and practice.

Simbang Gabi

Age: 89
Occupation: Retired
Residence: Corona, CA
Language: English, Tagalog

Text

“I was born in the Philippines and grew up there. One ritual that stood out to me was Simbang Gabi. Every December 16th, we would begin nine days of dawn Masses leading up to Christmas. We woke up before the sun, wrapped ourselves in warm clothes, and walked to church with the stars still out. We called this Simbang Gabi, which means ‘night mass’ even though it happened just before sunrise. This originally was for farmers so they could worship before going into the fields. Even though this is a novena, it always felt like a festival too. After mass we would have puto bumbong, bibingka, and salabat.

When I moved to the United States back in the day, I missed Simbang Gabi. Eventually,I found a Filipino church group and started celebrating it again. Sometimes it’s at night instead of dawn since people work during the day. It’s not exactly the same, but the spirit is there.

Simbang Gabi is not just about going to church. It’s about preparing your heart for Jesus Christ. It’s about hope and light in the darkness. And every year, we do it again, not because we have to but because it reminds us who we are.”

Context

This narrative was shared by an 89-year-old Filipino woman currently living in Southern California. She was born and raised in the Philippines and immigrated to the United States around the 1960s. This story was told as a reflective oral account of the Simbang Gabi ritual, a Filipino Catholic tradition she participated in throughout her life, both in the Philippines and in the diaspora. 

This informant is a respected elder in her community and has acted as a cultural bearer for her children and grandchildren. She continues to practice elements of the ritual at home and at church with her church group.

My Interpretation

From a folklore perspective, Simbang Gabi functions as both a life-cycle and calendar ritual, which is tied to the Advent season and culminates on Christmas Eve. it is a clear example of intangible cultural heritage that is passed through oral tradition, communal memory, and ritual performance. The informant’s account also demonstrates how folklore adapts across geographies while retaining its symbolic core and responding to the needs of diasporic communities.

The ritual serves multiple functions since it is devotional, communal, performative, and sensory. It creates a liminal space between night and day, preparing the faithful spiritually while reaffirming cultural bonds. The informant’s memory of the Mass as both a sacred and celebratory event illustrates the blurring of ritual and festival, which is a common feature in folk tradition. This narrative also highlights how older members of a cultural group serve as active bearers of tradition, keeping practices alive even in new cultural contexts.