La Guelaguetza

Nationality: Mexican
Age: 67
Occupation: Lawyer
Residence: Mexico, Oaxaca
Performance Date: 03/15/2019
Primary Language: Spanish
Language: Zapoteca

Context

The informant is an acquaintance of my father, and in a previous vacation invited us to watch “La Guelaguetza,” a performance of the many different tribes in Oaxaca and their folk dances. I made some time during my Spring Break to ask him about the festival once more.

 

Interviewer: Back in 2014, you invited my family and I to the festival of “La Guelaguetza” in Oaxaca. Would you be able to tell me about it, and why it’s such a significant festival.

 

Informant: Yes, gladly! For starters, I myself am originally from Oaxaca, and came to Mexico City to pursue my career as a lawyer. However, much of my family is actually native mexican, like many in Oaxaca. I make an effort to go back every July to watch the festival. “La Guelaguetza” is a festival where many different cultures come together to perform their folk dances, because Oaxaca has many different native cultures, not just Zapoteca. The festival spans almost a week full of plays and performances, but the most important part of it all is at the end of the event… In an open theatre, the different groups all perform folk dances, to music unique to each culture, donning their traditional clothes. Most if not all dances are for couples, a man and a woman. Probably the most famous dance is the “hat dance,” but there are many others.

 

(Note: The hat dance involves the man placing his sombrero between him and the woman, with both of them dancing around it in until they meet.)

 

Interviewer: Yeah, I remember the dances being very unique, but what I remember the most is almost getting knocked out by a mezcal pot during the festival. Could you also talk about the food at “La Guelaguetza?”

 

Informant: (laughs) Of course, of course. “Guelaguetza” is actually a Zapoteca word, which roughly translates to “sharing of gifts.” Other than sharing their music and dances, “La Guelaguetza” is also the place where everyone shares their native foods… but not in a buffet or a restaurant. They actually give samples of the foods in the middle of the dance performances.

 

Interviewer: They pass out the food in a very… uhm… unique manner, do they not?

 

Informant: Indeed, it would be extremely complicated and would most definitely interrupt the dance if they tried giving samples to such a huge crowd, so the performers often opt to throw their items into the crowd! Most of the time they’ll bring a type of sweet bread, but you can also expect mole negro, tamales, and yes, even pots of natively brewed mezcal to be thrown your way. “La Guelaguetza” is so significant for Oaxaca because it celebrates all the cultural diversity in the state by bringing us all together through music, dance, and food.

 

A video of “Jarabe Mixteco” (lit. Mixteco Syrup) one of the more well known dances performed at “La Guelaguetza”

https://www.youtube.com/watch?v=ttlol6TZebE

 

The Crab and the Monkey

Nationality: Japanese/Brazilian
Age: 20
Occupation: Student
Residence: USA, Oregon
Performance Date: 04/12/2019
Primary Language: English
Language: Japanese

Informant: I got one. It’s a folktale from when I was younger.

 

Interviewer: Is it like, a Brazilian or a Japanese tale?

 

Informant: It’s Japanese… I don’t remember who told me the tale, it’s very common knowledge in Japan. It might’ve been in daycare. Does it matter?

 

Interviewer: Not really. What is it about?

 

Informant: Ok, so this is about a monkey and a crab. The crab has an onigiri and the monkey has a persimmon seed… onigiri is like, a rice ball. The monkey wants the crab’s onigiri, so he tells the crab to trade it for his persimmon seed. The crab doesn’t want to at first, but the monkey says that the seed is worth more, since if he plants it, it will grow into a persimmon tree. So they trade and then the crab goes back home and plants the seed… and the crab threatens the **** out of the seed by telling it that if it… if it doesn’t grow fruits it’s gonna cut it up with its pincers.

 

Interviewer: That’s not very nice (laughs).

 

Informant: No, but then the seed grows into a tall tree and gives fruits, so I guess it worked. Anyways, the monkey then goes to the crab’s house and climbs the tree and starts eating the fruit. The crab comes out and asks the monkey to pass him some fruit, but the monkey throws the unripe stinky fruit at ‘em and it ******* kills him, and the shock makes the crab give birth…

 

Interviewer: …Is that it?

 

Informant: No… It’s like halfway done, I’m trying to remember the rest… Ok so the kid crab is pissed that the monkey killed the mom crab, and wants revenge on the monkey. So he goes out and makes friends with like, other bullied guys like the chestnut, the bee… the rock mortar… thing, and cow poop. Then they break and enter the monkey’s house and hide… The chestnut hides in the hearth, the bee hides in a water pail, the mortar hides on the roof, and the cow poop hides on the floor, close to the entrance.

 

Interviewer: Is this like, a real folktale?

 

Informant: I swear, I can’t make this **** up.

 

Interviewer: Ok, ok. What happens next?

 

Informant: Ok so later, the monkey comes home and decides to sit by the fire. The chestnut tackles him and sets the monkey on fire. Monkey is inflicted with burn, so he runs to the water pail to put it out, but the bee comes out and stings the **** out of him, so the monkey tries to run out of the house and slips on the cow poop, and then the mortar jumps off the roof and onto the monkey and it ******* kills him… the end.

 

Interviewer: What? That’s it? … What even is the moral of the story?

 

Bystander: I think it’s about not scamming people or you’ll die. But what happened to the kid crab, what did it do?

 

Informant: Baby crab didn’t do ****. But yeah, that’s it, monkey died because he killed crab.

 

Context

During one of my club’s meetings, I told the members about the collection project and the members started discussing about various folktales and other stories. This was amongst the ones that stood out.

 

Analysis

To be completely honest I was dumbfounded that such a weird story was told to children, but upon further investigation it turns out that, it is in fact, a popular Japanese folktale. From what I gather, it teaches children to not scam or betray people, because it’ll come back to you in some shape or form.

 

Different Versions and Literary Works

The folktale has many different versions, usually changing the baby crab’s allies or the way that the monkey is attacked in its home. In one version, the monkey gets his butt snipped bald by the crab, which explains why some monkeys have bare bums.

Versions of this folktale can be found in Andrew Lang’s The Crimson Fairy Book (http://www.online-literature.com/andrew_lang/crimson_fairy/30/)

 

Or Japanese Fairy Tales by Yei Theodora Ozaki

(http://www.gutenberg.org/files/4018/4018-h/4018-h.htm)

The Elephant and the Jackal

Nationality: Indian
Age: 18
Occupation: Student
Residence: USA, California
Performance Date: 04/12/2019
Primary Language: English
Language: Hindi

Informant: There is one tale that I remember from when I was like… super young. Like an Indian folktale.

 

Interviewer: Yeah sure, let’s hear it.

 

Informant: It’s called The Elephant and the Jackal. There was once an Elephant that was a monster, and like, he would rampage across the forests destroying trees, and that would also destroy like, bird nests and stuff. Not even the Lions or Tigers wanted to mess with it.

One day, the Elephant destroyed the Jackal’s nest during one of his rampages. The animals finally decided to call a meeting to figure out how to kill it but, no one stepped up because they were afraid of the Elephant and his massive size.

The Jackals were really pissed about the nest, so they held another meeting. They had decided to take out the Elephant once and for all, but failed to come up with a plan. But then, an Old Jackal said he knew what to do.

The next day, the Old Jackal went to the Elephant, and like, bowed and revered him, and told him “Oh great Elephant! The other animals and I held a meeting and decided that someone as big and powerful as you should be the King of all animals.” The Elephant didn’t think much of it, and let the Jackal keep praising him. The Jackal then told the Elephant that all the other animals were like, a bunch of animals were waiting for his coronation ceremony, and that he should come with.

 

Interviewer: So the Elephant took the bait completely…

 

Informant: Yeah, like. The Elephant, drunk in his ego, followed the Jackal deep into the forest, where the trees were thick and it was like, hard to see for the Elephant. The Jackal then led the Elephant through a patch of quicksand, but since the Jackal was old and light, he could get through. When the Elephant stepped into the quicksand though, he like, got stuck and started sinking very fast. The Elephant cried out and asked the Jackal to help him, but the Jackal told him that he had been a massive **** and had destroyed the lives and homes of many animals, and like, someone like him didn’t deserve any help. The Jackal left to tell the other animal, while the Elephant sunk to his death in the quicksand.

 

 

Context

During one of my club meetings, I brought up the Collection Project, and amongst the responses I got, the informant told me some interesting Indian folklore.

 

Analysis

This was just a simple märchen with a simple message. Bad things happen to bad people. I guess there is also a secondary message that with age comes knowledge, seen as it was an old jackal that managed to bring down the elephant, out of all the animals. Could even be stretched to a brain over brawn analogy too, seeing as not even the lions or tigers dared to face the elephant.

 

Jumping Fire: Persian New Year

Nationality: American/Iranian
Age: 18
Occupation: Student
Residence: Calabasas, California
Primary Language: English

The Folklore:

K: Would you like me to tell you about a Persian New Year tradition?

E: Yes, please do.

K: Every Persian New Year everyone  jumps over a burning fire. A contained fire of course.

E: Does everyone participate?

K: Older people and young children don’t. But those who aren’t sick and are able bodied all do it.

E: That is so interesting. Do you know where this tradition originated?

K: Early Persians practiced Zoroastrianism, one of the world’s oldest belief systems, and they viewed fire as extremely holy. They began to hop the fire as a cleanse. The fire would wash away all bad luck, evil eyes, and sicknesses by leaving them in the year that was ending.

E: When did you first hear about this tradition?

K: My fathers first told me about this tradition during Persian new year when I was very young. Ever since then I’ve participated every year.

E: What does it mean to you? What sort of value does it hold with you?

A: It means a lot because it’s the main event during Persian New Year’s. This is one of the largest family celebrations of year where extended family and nuclear family are all together. Everyone experiences this together by leaving our non-positive energy in the past.

Context:

My informant is a long time friend of mine who is from Dominican and Iranian descent. Every year I’ve known him I’ve seen the annual videos of him and his family members jumping over the fire without having inquired. I reached out to him over the phone and this was what he told me.

Analysis:

Although strange I see this practice as deeply as symbolic. Zoroastrianism was one of the first belief systems and the fact that God has for us conceived so long ago are still prevalent today reflects how truly special it is as both for the Apple ones on sale to leave behind’s transgressions from the past year as well as enter the new year with family.

 

Chatsworth Trainwreck Haunting

Nationality: Greek/American
Age: 19
Occupation: Student
Residence: USC
Primary Language: English
Language: Greek

The Folklore:

E: Are there any strange ghost related phenomenons in the valley?

C: Yes, there is a popular belief that after the Chatsworth train wreck, the railroad has been haunted by the ghosts of the people killed in the wreck.

E: What event triggered this urban legend?

C: In 2008, a train derailed and crashed in Chatsworth, California which is located in the San Fernando Valley. 25 people lost their lives in the train crash.

E: What supposedly happens at this train crash site?

C: It is told that if you park your car on a certain part of the train tracks, handprints will begin to appear on all of your car windows. After that occurs, a force begins to push your car off the train tracks. It is said that the handprints that appear on the car are the people that died in the train wreck, and since they don’t want you to also die in a train wreck they push your car off the train tracks.

E: Where did you learn about this urban legend?

C: I learned about this legend about a year after the train accident and my friend from home had actually experienced this phenomenon. This conspiracy is actually very popular and have heard discussion about this phenomenon numerous times from many different people.

E: Have you ever experienced this phenomenon?

C: No, I have never personally experienced this phenomenon, but I have had friends that have experienced this phenomenon.

Context:

This conversation was held in a very casual setting. My friend and I conversed about ghost stories in our surrounding neighborhood. He told me this story as well as another. The train track ghost legend stems from a rumor very close to my informant’s home.

Analysis:

The tragic incident created a story that the community would react to. This story makes people visit the site of the tragedy and it also serves as a means to warn people, don’t park on train tracks. Having lived in the same area for several years, there’s many places in the valley that are supposedly haunted. These stories are used to warn people of dangers but also draw attention to areas where unfortunate events have occurred.