Tag Archives: belief

Belief: Flush Ice for Snow Day

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“Whenever it would snow back when I was in school, everyone in the class would be like ‘Okay, guys. We have to flush ice cubes down the toilet so that we get a snow day.” They laughed. “It had to be snowing already. And if the next day came and we didn’t get a snow day, everyone would go around asking each other ‘Did you do it?’ And if someone didn’t, they’d be like ‘You!’,” they spoke the final word in an accusatory tone. “‘It’s your fault!'”

Context

RELATIONSHIP –
“It was just like, to me, a fun sort of get-together thing for us all to do. I also liked it because it was especially like ‘Yea! I have so much power. I’m gonna summon a snow day.’ I did it every time it snowed.”

WHERE THEY HEARD IT –
“I heard it both from other kids in my school and also my parents. I think specifically from my mom. My dad didn’t know what it was. My dad didn’t grow up in Colorado, but my mom did.”

INTERPRETATION –
“I sort of always knew it was fraudulent. It wasn’t going to work. But to me, and to all the other kids at school, it was kind of just like a nice ‘taking the opportunity to control something and you can’t normally control.'”

Analysis

Relegated to locations that snow and have school days cancelled in the presence of large amounts of it, young children are likely to wish that they can have a valid way to skip school using this extreme weather. With the connection between ice cubes and snow, there’s something akin to rebirth in the way that the ice cubes are flushed for the purpose of being “recycled” into snow. Still, this is overall a fun community event that brings children together in their efforts, which may be reason for parents and teachers encouraging the behavior.

Belief: Whistle for Wind

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“My mom did this thing where…” They took a pause. “So, she’s not very good at whistling– along with a lot of other people in my family for some reason. But she can still somewhat whistle, and there’s this notion that whistling calls wind. So you would whistle in order to call wind. It’s like a folk thing because apparently this isn’t something that only my mom does. It’s something that my aunts and grandma and a lot of people in my family do. If you want wind, you whistle.”

Context

RELATIONSHIP –
“I sure do whistle a lot.” They laughed. “Just cause I like whistling… and it sure doesn’t work– as in, it sure isn’t constantly windy.” They pouted, jokingly, “It doesn’t always work. It’s not always windy and I whistle always.”

WHERE THEY HEARD IT –
“It was just my mom. I was whistling one day and she was like ‘You know it calls wind.’ And then she tried to whistle. It wasn’t a very great whistle and it didn’t call wind.” They laughed. “I think I was very young. I was nine or ten when we had this conversation and it was a couple years after that when we went to the Philippines and I inquired other family members about it.”

INTERPRETATION –
“It’s interesting to think about why– because in the Philippines wind comes in handy. ‘Cause, you know, it’s hot, and wind feels really nice especially, I assume if you’re working and doing manual labor related to farming and animals and crops. I can see where it comes from.”

Analysis

There’s a certain magical quality to air and wind, like blowing candles to make a wish. Similarly, music, singing, and by proxy, whistling is a traditional performance that is believed to have a variety of effects. In the case of whistling, it’s a musical act that bares a resemblance to blowing air. The cooling effect of both blowing air and wind is linked together as a way to make one manageable by human means. There’s an inherent desire to control the workings of the world which is what paves the way for rituals that attempt to do so. In this case, specific to locations that are hot, the presence of wind is a comfort that people wish for.

BURNING ESPHAND

Nationality: Iranian-American
Age: 21
Occupation: Student
Residence: San Ramon, CA
Performance Date: April 25, 2021
Primary Language: English
Language: Some Farsi

MAIN PIECE:

Informant: So my grandma does this a lot and I actually just asked her for clarification about it, but… A lot of the time when I was younger, and especially now, I’ll like wake up and the house will smell like… Smoke… It smells like burnt popcorn, almost? And it’s not like a great smell. And I always thought, like, “Oh, like, my grandma put something in the toaster-oven for too long.” But it turns out it’s an intentional thing. So what she’s doing is… There’s this thing called Esphand… And it’s almost like… Black sand, it looks like? It almost looks like little seeds. I’m not sure what it actually is. It’s not edible. But… Something that Persians do––particularly Persian mothers or grandmothers––is they will put it, you know, in like a pan on the stove, and they’ll toast it and it burns and it smokes, and it smokes very quickly. And it fills the house with that like burnt popcorn aroma… And they’ll like get a towel or something and sort of wave it through the air so it like fills the house… Um… Yeah, and that smoke is supposed to cleanse the air. Um… And it alleviates any bad luck. It’s not that it gives you good luck, but it just prevents bad things from happening, sort of. And the Esphand is, it’s not like only confined to the home? Uh… It’s also… It can be incorporated into weddings? It’s not really done these days, but something they would do in the past is… They would kind of sprinkle the Esphand on the ground before the bride as she was walking. And as she was walking down the aisle, uh, they would kind of… Actually burn it in front of her as she was walking. So someone was leading, walking in front of her, and she would walk through the smoke… So it was kind of like… Like cleansing her on her way. So she’s entering into this marriage cleansed of bad luck.

INFORMANT’S RELATIONSHIP TO THE PIECE:

Informant: My grandma, she would usually do it if my sister and I weren’t home, ‘cause she knew it––we’d always complain about it… And actually when I was at college, she’d do it, like, she would do it for me, right? Like to… Cleanse my spirit from afar. So that was an interesting kind of practice… And it’s not really about the Esphand… It’s what you do with the Esphand. It’s the ritual…  But it’s not like––it’s not an everyday type of thing. It’s only if she’s like––if she’s nervous, she’ll do it. It’s like to cleanse bad luck. So like, if the family is preparing for something and she, uh, doesn’t like want anything to go wrong… Like at the beginning of the pandemic it was a little bit more common… Like she was doing it more than she ever had before, I think. Or at least, I noticed it more. But like, when I was in high school, I hardly knew it was a thing. Like sometimes I’d just come home and like, “Ugh, someone burned something,” you know? 

REFLECTION:

In Folk Groups and Folklore Genres: An Introduction, Elliott Oring claims there is “difficulty [in] interpreting the meaning of symbolic acts in human behavior” (55). In order to give meaning to the act of burning Esphand, one must first be familiar with its ties to the evil eye. The lighting of Esphand is thought to ward off the evil eye. The evil eye is a contagious form of magic; if someone who has the evil eye engages with you, they may bring on bad luck or “jinx” you (jinxing stems from the concept that if you have a jinn attached to you, you bring on bad luck). For example, if a houseguest who has the evil eye compliments a child on their beauty, a mother or grandmother might burn Esphand to clear the air, concerned that the child has been met with an evil eye (i.e. been jinxed) and is thus at risk of their beauty being ruined. While burning Esphand is unique to Persian culture, the act of trying to reverse bad luck is shared across cultures. Similar actions include throwing salt over a shoulder or knocking on wood. These behaviors (performing an action to remove bad luck) can be referred to as a conversion superstitions. The existence of conversion superstitions suggests that humans have an underlying, psychological preoccupation with controlling luck and fate; if we are apprehensive that something will go wrong, it makes us feel better to perform a ritual or action that is meant to steer things in a more desirable, less unlucky direction. And these rituals or actions only have meaning through their association with reversing bad luck.

ANNOTATIONS:

Source cited above:

Oring, Elliott. Folk Groups and Folklore Genres: an Introduction. Utah State University Press, 1986. 

Further reading(s):

“Esfand & The Evil Eye.” My Persian Kitchen, 2016, www.mypersiankitchen.com/esfand-the-evil-eye/#:~:text=It%20is%20pretty%20safe%20to,curse%20on%20someone%20else’s%20behalf.

Saba Soomekh. “Iranian Jewish Women: Domesticating Religion and Appropriating Zoroastrian Religion in Ritual Life.” Nashim : a Journal of Jewish Women’s Studies & Gender Issues, vol. 18, no. 18, Indiana University Press, 2009, pp. 13–38, doi:10.2979/NAS.2009.-.18.13.

Jõulu Vana – The Estonian Santa Claus

Nationality: Estonian/Canadian
Age: 68
Occupation: University Professor
Residence: Los Angeles
Performance Date: 5/2/2021
Primary Language: English
Language: Estonian

Informant’s Background:

The informant, in this case, is my mother, M, who was a first generation immigrant born to an Estonian family in the North-East of Canada. Her family had escaped from occupied Estonia, and had settled in Canada before she was born. She moved with my father to Los Angeles, in the United States, to take a job as a university professor. My brother and I were born a few years after.

Context:

I mentioned collecting folklore to my mother, who I regularly call on the phone now that I have moved out of our house, and she told me that she wanted to help. I told her yes, and she emailed me the following description of Estonian Christmas celebrations growing up, and more specifically her experiences with Jõulu Vana, the Estonian version of Santa Claus. Her Email was lengthy, but I decided to include the full text so as to preserve her performance of the traditions she grew up on.

Performance (Written Over Email):

M: Estonian Christmas — “Jõulud”, which comes from the Swedish “Jul” (Old English ‘Yule’) — is a pagan holiday, a celebration of the end of the year. When I was growing up in Canada, a first generation immigrant, with two Estonian parents, our holiday celebrations began at the beginning of December, with Advent calendars, and continued to New Year’s Eve, when we melted candles and poured the liquid wax into buckets of cold water, where it became solid again with intricate shapes that were supposed to tell our fortune during the coming year. But the most important day for me and my brothers was the day that North Americans call Christmas Eve, December 24th, because it was on the evening of that day that Santa Claus (Jõulu Vana) would come.
I loved everything about Christmas as a child because it happened so slowly. We woke up in the morning to the delicious smell of the special Christmas bread my mother was baking (“pätsi sai”, a white bread made with raisins and almonds and flavored with cardamom that my mother ground in a special grinder). We went to the living room to admire the Christmas tree. When we were very little, my brother and I sometimes crawled under the tree to look up at the ornaments and the lights which we thought were magical. (When we were even younger, there were real candles on the tree.) After breakfast our parents gave us each one small present; the other presents would be coming from Santa.
The excitement grew during the day until we could hardly stand it. Finally, it was evening. My father, a doctor, announced that he was on duty at the hospital and had to leave. This happened every year, and I never wondered why. Awhile later my mother told us that we should go to the window to watch for Jõulu Vana. We could see him coming from a distance, through the snow, pulling a sled piled high with presents. Sometimes he would seem to get lost, approaching one of the other houses. (We were the only children on the block except for one other Estonian family who lived in the apartment directly below us.) We would knock on the window and call out frantically ‘’ “this way, Jõulu Vana!”
Before he gave us our presents, we had to each sing a Christmas song for him. We had been practicing these songs for weeks, but I remember still being nervous and even a bit scared. He always clapped and told us that we were fine singers. (Singing is a very big tradition for Estonians.) And then, finally, he handed us our presents.
As a child I did not really believe in God – most Estonians are pagan at heart, not Christian. (My mother once told me that she found it odd that Canadians go to church so often, every Sunday. In Estonia, she explained, there were only four occasions for reasons for going to church: to be baptised, to be confirmed, to be married, and to be buried.) But my faith in Jõulu Vana was strong. I must have been a gullible child. I never wondered why Jõulu Vana always came straight to our apartment, rather than the apartment of the Estonian family below us. I didn’t even wonder when I noticed, one year, that their Jõulu Vana was shorter than our Jõulu Vana. And when my Estonian friend told me: “You know, there isn’t really a Jõulu Vana; it is just our fathers wearing costumes from the hospital”, I looked her right in the eye and said: “Maybe your father pretends to be Jõulu Vana. But we have the real Jõulu Vana.”

Thoughts:

I’ve always been fond of childhood beliefs in Santa Claus or other versions of the figure. While discussion can be brought up of the commercialization of Christmas by the US, and by companies like Coca-Cola (who created the iconic imagery of Santa Claus we all know today) there’s something very pure and wholesome in the participation on the parts of parents in the myth of Santa Claus. Parents claiming that the presents under the tree are from this jolly red figure is a wonderful example of letting child’s imaginations run wild, and nurturing those imaginations by playing along with them, and I’ve never really understood claims that telling your children Santa Claus is real is actually cruel because they’re going to “discover you were lying” or something. Childhood wonder and magic doesn’t last forever, and I think rather than stamping it out, it’s something that should be protected, loved, and cared for by parents and other adults. I remember when I was a child my father would put on a big boot while we were asleep and cover it in soot before stomping around the house so that in the morning it would look like Santa came down from the chimney and had a wander about the house. Real effort was put into making Santa feel real, and I can see now after reading this from my mother, why that mattered so much to her, and the magic from her own childhood that she was trying to recapture for us in ours. The Estonian tradition of Jõulu Vana, where the father dresses up as the jolly red figure, is a perfect example of how putting in effort into creating this myth and captivating a child’s imagination can lead to wonderful memories that can last a lifetime.

Don’t Sweep Over Someone’s Feet

Nationality: American
Age: 22
Occupation: Student
Residence: Georgia
Performance Date: 04/25/2021
Primary Language: English

Context

This proverb is collected during a conversation I had with a friend when she came over for dinner at my house.

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Performance

The following is a proverb told to me by the interviewee.

I: Don’t sweep over someone’s feet or else they will go to jail

M: Who shared this proverb to you?

I: My mom and my dad. So I guess it’s from both Louisiana and Georgia. It’s a very much Southern African-American thing. I’m sure African-Americans from the west or east have never heard this saying.

M: That’s interesting I’ve never heard that one before.

I: Yeah I honestly hate telling white people this one, because then they’ll joke around and like sweep over my feet. And like why would you do that? I’m like a very superstitious person, just don’t.

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Analysis

What is interesting about this proverb is the latter half of it. I have heard from people that if you sweep over someone’s feet that you will have a bad love life, coming from the phrase “getting swept off your feet” as a way to say falling in love. It seems that this proverb takes that same concept but the latter half being about jail. As the interviewee comes from the African-American community in the South, where the incarceration rates for the African-American community are disproportionately higher than their white counterparts, it shows that the zeitgeist has made going to jail a part of their proverbs that they tell younger children. The interviewee also mentioned that this proverb tends not to be respected by her peers, showing that people’s level of superstition can vary even amongst similar age groups.