Tag Archives: Chinese

Why You Can’t Split a Pear

Nationality: Chinese
Age: 55
Occupation: Registered Nurse, Teacher
Residence: Lake Oswego, Oregon
Performance Date: 2/22/2019
Primary Language: Chinese
Language: English

Context:

My informant is a 55 year old woman that immigrated from China to America in her early 30s. She is a mother, a registered nurse, and also a teacher in nursing school. This conversation took place in a hotel one evening, and the informant and I were alone. In this account, she explains why Chinese people can’t split pears when they eat them.I asked for the story behind this folklore because I had known of this superstition for a while, but never understood why it was considered bad luck.Because her English is broken, I have chosen to write down my own translation of what she told me, because a direct transcription may not make as much sense on paper as it did in conversation (due to lack of intonation and the fact that you cannot see her facial expressions or hand motions in a transcription). In this conversation, I am identified as K and she is identified as S.

 

Text:

S: Um, so, um, Chinese people have a lot of traditions that determine what you can and cannot do. So, in my family, my grandparents told us that two people can’t share one pear. In Chinese, the pear is pronounced “li,” but it has another meaning as well, which, when translated to English, means “separate.” So if a couple shares one pear, that means that they’ll eventually separate and can’t keep their marriage. If a mother and daughter split one pear, they have to separate– just, two people can never share one pear. But, for some reason, three or more people can share a pear; it’s just that two people can’t share a single pear or else they’re destined to separate.

 

K: Do you take this seriously?

 

S: I take this VERY seriously. When I cut a pear, only I eat it, only my daughter eats it, or only my daughter eats it. If my husband and daughter unknowingly eat slices of the same pear, then I will make sure to grab a slice for myself and eat it.

 

Thoughts:

Just like my informant, I also grew up with my grandparents telling me of this taboo that I can’t share a pear with someone. Frankly, I agree with it—as a Chinese person, I’m quite superstitious, and even when I think some of the traditions I follow are a bit ridiculous, it never hurts to abide by them just to be safe. The fear about sharing a pear makes sense— “sharing a pear” in Chinese is 分梨(fēn lí), which is a homophone of 分离(fēn lí), which means “to divorce” or “to separate.” This taboo seems to have elements of sympathetic magic, otherwise known as “like produces like.” “Sharing a pear” sounds just like “separate” in Chinese, so by sharing a pear with someone, it’s the equivalent action to separating with them.

In a cultural context, family in China is so important. We are raised to be extremely loyal to our elders; everything we have, from our knowledge to our place of privilege, is because of them. So why would you run the risk of being separated from them? This type of folklore is performed because we like to feel that we have control over processes like relationships. As humans, we have this feeling where we can’t control the bad things that occur over the people we love, so we attach this fear we have to rituals. These rituals, which include taboos and prohibitions are practiced to protect our social bonds.

Chinese folk medicine for sty

Nationality: Chinese
Age: 19
Occupation: student
Residence: LA
Primary Language: Chinese
Language: English

Main piece:

Me: So what are some other folklore that you have?

B: so, when you have sty, we usually don’t put on anointment, but we usually use a small part of our cloth, clutch the cloth by your hand, and pat your eyes with it.

Me: wow, a new form of cure! Have you ever tried it? Does it work?

B: well, I never got sty, and I don’t think it work.

Me: ok.

Analysis and context:

My friend is a lowkey superstitious person, partly because her hometown is a very small city near Nanjing. She wears special bracelets everyday which work as traditional Chinese amulets. Also, when she performs the folklore, she acts like it’s a very serious tradition. It’s fascinating that she knows way more folklore than I do.

So this is a folk cure. There are many folk cures in China, especially from smaller cities. There are many Chinese mystiques about sty. For example, they used to say that if you see someone naked, you will get a sty.

Chinese Restaurant Clapping Game

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 04/22/19
Primary Language: English
Language: Mandarin

“So we had a clapping game that my friends and I used to do that involved this one song that I always thought was a little bit weird:

“I went to a Chinese restaurant, to buy a loaf of bread, bread, bread.

They asked me what my name was, and this is what I said, said, said:

‘My name is….choo choo Charlie, I can do karate, punch ’em in the stomach,

Oops, I’m sorry! Please don’t tell my mommy!

Chinese, Japanese, Indian, Freeze!'”

Context: The informant, ER, is an Asian-American student. She really enjoyed playing games with her friends when she was growing up in California; some of these included clapping games like this, along with making lip-sync dance videos. ER is a very popular girl, and wanted to fit in with the other girls, which includes participating in this game. ER explains that she uncomfortable with singing along with this song. Being an Asian-American, she felt that this song was quite racist and drew from various stereotypes in order create a catchy song to sing along to.

Analysis: This song follows other types of children’s songs that are common and widespread. It has catchy, simple rhythm with equally catchy lyrics. In this case, it involves repetition of certain lyrics that are necessary for clapping games. Towards the end of song, the lyrics become a bit nonsensical, and do not really provide any real connection with the original theme of the song. Even the first line of the song make no real sense since no one would normally go to a Chinese restaurant to purchase a loaf of bread. However, rational lyrics are not the main purpose of children songs, but rather about parodying other songs, or making fun of strict components of society.

However, probably the more telling part of this song is the slight racial insensitiveness of the lyrics. In this case, the lyrics are playing on stereotypes of Chinese people, and also equating them with other Asians, including Japanese people and Indian people. For many children, it is common for them to not be able to differentiate between different groups of East Asians, or can tend to be more racially insensitive. Due to this, it means that when these children come up with these rhymes and games, they will be less inhibited by potentially insensitive lyrics when trying to find rhyming words and catchy lyrics.

For ER, calling out her friends because of a racist song had too many consequences. From the social side, ER did not want to say that she did not want to participate in the game, which would create a rift between herself and her friends due to a mere song. Children’s social structures and relationships tend to be very fragile and complex, and due to this, telling your friends that you do not want to participate in a favorite game would be seen as an insult. Due to this fear, many kids will not tell their friends about something that bothers them personally in order to maintain their friendships and keep their social standing.

Chinese God of War and Wealth

Nationality: Chinese
Age: 19
Occupation: Student
Residence: Shanghai, China
Performance Date: 04/10/19
Primary Language: Chinese
Language: English

“Ok, there is this famous general during the 3 kingdom of Chinese History, his name is Guan Yu, but he is more commonly known as Guan Gong–it’s a more respectful way of referring to him–and he was a king’s sworn brother, and he was famous for his courage, character, and integrity, and loved by both his enemies and friends. He did not succeed in bringing back his king’s empire, but he was worshiped as this god of war and also the god of wealth.

Nowadays, whenever you go into an old-fashioned–especially Hong Kong–restaurant you will probably see him sitting there in this green robe, holding his knife. His knife has a name, it is called the knife with which he slayed the dragon under the moonlight, yeah that is his knife. And the restaurant’s owner will have apples and oranges and candles under his portrait or statue so that he could watch over the restaurant and guarantee their business to profitable and stuff like that. He is also the god of war and courage, and is worshiped by the police and gangs the same way. If you see a group of people worshiping a Guan Gong with his knife in his left hand, then it would probably a gang member, while people worshiping a Guan Gong in his right hand would be a police officer.”

Context: The informant is one of my roommates, and we were discussing strange and absurd traditions from our respective cultures. She told me this story about a god that restaurants have an “altar” for because of his unique powers. The story is significant, according to the informant, because it shows that the line between folklore and religion is quite blurry. There are many, many gods of wealth in China that are all quite distinct and discrete. However, there is one thing in common: they all were real people. These real people became part of the folklore as their stories were passed down; people thus begin to see these historical figures as gods. There are plenty of people that see them as just role models or icons, but many do begin to worship them as if they were deities. She says that in this way, many historical figures enter folklore, and then cross-over in to more of a religious realm.

Analysis:  I disagree with this, as it seems that Guan Gong moved from a historical and legendary icon to a mythological figure. Based on this story, Guan Gong entered into the legendary realm following the spreading of his story throughout the Chinese public. His actions have spawned various stories–that may or may not be true. However, with the worship of this figure, Guan Gong also became a mythological figure that people saw as a deity. In many cultures, many people will see national heroes or cultural icons as someone that they look up to and eventually this respect can turn into worship. For example, Mother Teresa, a Roman Catholic nun who did prolific charity work in India, was not only canonized as Saint of the Church, but is also seen as a goddess in certain regions of Kolkata, a region in India. This shift was due to the fact that Saint Teresa was one of the few people to deal directly with those with “untouchable diseases” like HIV/AIDS and leprosy, and proved to society the importance of showing compassion to all. While this is different from the story of Guan Gong as Saint Teresa was not a legendary figure, there is a common theme; the actions of Guan Gong and Saint Theresa have become the icons that they are because the things that they did in their lifetime.

This is similar to the story of Zhang Lang, who was cursed to be blind and resorted to beg following his adultering behavior. While begging, he stumbled across his former wife; after she restores his eyesight, Zhang Lang, overcome by guilt, self-immolated in the hearth. This story was told over many generations, eventually becoming one of the “kitchen gods” that protect the home and the hearth. For me, the significance of this story is that it shows how a person or story can move between disciplines in folklore, as both legends and myths are genres of narrative folklore.

The Luck of Red – Chinese Superstition

Nationality: Chinese
Age: 19
Occupation: Student
Residence: Shanghai, China
Performance Date: 04/21/19
Primary Language: Chinese
Language: English

“So there is a kind of tradition in China, that for example, I was born in the Year of Rabbit, so when it is the Year of Rabbit again, I need to wear red underwears again for the entire year to ensure luck and happiness.”

Context: The informant, YT, is a student at USC originally from Shanghai, China, and is one of my roommates. We were discussing weird superstitions involving luck that our families abide by, and she brought up these superstitions that involve the color red. According the the informant, red is very influential in Chinese culture, and is largely associated with China on a global scale. YT, though not very superstitious, is still impacted by the widespread folk belief, and ends up abiding by this superstitions partially.

Analysis: Color is an incredibly important component of many cultures around the world. Specific colors can be seen as lucky, unlucky, beautiful, or cursed; the way that a culture sees these colors greatly impacts the superstitions of that nation. For China, red holds several meanings. First off, red was seen as bringing good fortune and luck, which is showcased in the initial red underwear superstition. Another component of this superstition is its reliance on the importance of Chinese zodiac. Chinese zodiac is assigned to each person based on the year that the individual was born in, in a 12 year cycle. It is also believed that when the year of your Chinese zodiac returns, that year will be an unlucky one; therefore, this superstition is an attempt to counteract this unluckiness. Masking the unlucky year with an article of clothing is there was of restoring joy and luck into the world.

It is also important to comment on the importance and proliferation of superstitions even in the modern era. Most of the Chinese superstitions have persisted in the culture for many years, so it could be thought that the folk beliefs would slowly die off as time went on, but such is not the case. YT is not superstitious, however, she continue to follow the folk beliefs because of the influence of those superstitions. For many members of the younger generation, they follow the folk beliefs because they think “what is the worst that could happen?” and that any potential luck that they obtained would be beneficial. Due to this mindset, young members of the Chinese culture continue to abide by this folk belief.