Tag Archives: good luck

Throwing beads

Text (ritual/folk belief)

“Throwing and collecting beads is a traditional practice and brings good luck.”

Context

My informant has lived in Louisiana for 4 years and participated in the Mardi Gras festival twice where this practice occurs collecting many beads to wear around her neck in participation of the celebration.

Q: “What is the significance of beads at Mardi Gras parades?”

A: “The practice of throwing beads on Mardi Gras stems from 19th-century French customs where the king would throw jewels and gold to the ‘common people’”.

Q: “How do you get beads?”

A: “The people on floats are above you at the parade and you can reach your hands out or jump and wave to insinuate for them to throw beads down, or people also commonly will flash their boobs to get beads. I didn’t do that though haha. There used to be a legend that University of Lafayette students wore beads to stand out during Mardi Gras and the custom spread to now where beads are commonly worn and exchanged at the festival”

Analysis

Originating in the 19th century, bead throwing is a traditional ritual/practice taking place where those of higher status or class would assert their position originally throwing any small trinkets to spectators of the parade. The evolution to throwing beads began in the 20th century as people of higher status would begin to dress up themselves and their floats in beads colored in line with the Mardi Gras theme as a symbol of creativity and expression. Today these beads are representative of the Mardi Gras season expressing appreciation for and participation in New Orleans cultural practices asserting a shared cultural identity. The traditional custom of wearing brightly colored beads and the ritual of exchanging or throwing said beads act as a way to show participation and involvement in the festivities as well as a symbol of good luck. Frazer explores the concept of homeopathic magic and the idea that like produces like. Many people partake in bead-throwing rituals in hopes of receiving good luck for the coming year partaking in this homeopathic ritual. His work provides a framework for analyzing the role and significance of rituals, symbols, and practices in various cultures. Recently, however, there has been some controversy regarding the environmental friendliness of throwing around thousands of plastic beads. Many people have called for more sustainable alternatives to this practice which is an integral part of Mardi Gras culture. This conversation touches on the adaptation and transformation of folklore over time to be more accommodating to 21st-century ideals and the evolution of folklore practices to fit the modern standards of societal and cultural norms in the United States.

New Year’s Traditions

Age: 18

Context

AG is my friend from back home in Chicago, Illinois. She was born in Joliet, Illinois and then moved to Chicago when she was five years old. Her mother was born and raised in Joliet and is of Mexican descent. Her father immigrated to California when he was twenty five years old from El Salvador. He then moved to Joliet when he was thirty. 

Text

DO (interviewer):  I know that we often talk about certain superstitions or things that our families do during the holidays. Can you talk to me more about which one or ones you consider to be your favorite? Or one, or ones, that you do the most often?

AG: The one we have the most fun with is probably the suitcase one on New Years. It’s so fun dude. 

DO: Can you talk more about it? 

AG: So, the saying goes. Once midnight hits on New Year’s Eve, so technically I guess it’s New Year’s Day at that point. Anyway. Once it hits you run around with an empty suitcase. Just around your block a few times and this will ensure that you travel a lot in the upcoming year. 

DO: What does this tradition mean to you and what’s your stance on it? Do you believe it works?

AG: Well, growing up we were mad poor. You know this. Even after we moved to the city we didn’t have much money, you know? So it was fun to just run around with my parents and just dream and hope. I’ve traveled a few times throughout my life so I’d say that even if it doesn’t work I’d like to think it does. I’ve never not done it because I wanna travel girl! 

Analysis

The informant and her family have this holiday tradition/ritual every year to bring in lots of traveling. My family also has similar stories of performing this tradition when they were younger, so there are cultural ties to this. However, this empty suitcase travel method is a ritual not tied to a specific cultural community; many cultures have some variation of this lore. Past just performing it because of cultural beliefs, the informant holds a particular superstition about it. She believes that if she doesn’t stick to this tradition, then she will travel less. As she also mentioned, this was a way for her and her family to remain hopeful for future fun during rough times. It is special to the informant for this reason, and she continues to perform it and believes that it helps her travel more. 

Slogan: “Two lines, one stripe, 干!”

Nationality: Chinese
Age: 21
Occupation: Student
Residence: Near USC Campus
Performance Date: 2/21/2023
Primary Language: Chinese
Language: English

Text: “两横，一竖，干！”
Pinyin (Simplified): liang heng, yi shu, gan
Translation: Two horizontal, one vertical, fight!

Context:
G is a Chinese international student from Anhui Province, Hefei City in China. During high school, he played in a soccer team.
G: “It’s about my soccer team in high school. It’s what we do before game. It’s a like slogan that we do before a game. Every player comes and together to form a circle and we put our hands together and we yell it. And the slogan goes “两横，一竖，干！” It’s not really a good translation, it’s like fighting but not in a good way. We’re using it positively but not in a good way. It’s almost near “f**k” but it’s a positive way we’re using it.”

Interpretation:
There is an interesting juxtaposition to be mentioned with the positive denotation of such a negatively connoted word in this chant. This folk phrase, or folk chant is said for good luck and to release tension. It invokes a feeling of unity and comradery between players, which completely changes the meaning of the word in this specific context and therefore, changes the tone of the chant. On the surface level, it is merely a saying that describes how to write the word “干“ in Mandarin. The word itself, as G describes, means something negative and almost taboo whenever spoken aloud in a social setting different from this one. Perhaps because of the presence of the specific competitive sport team-player like atmosphere and tension about competing at all, this phrase seems to take the aggression of the phrase and repurpose into a chant of good luck and release of nerves. The act of doing it with fellow team members joins this community together and that they have something to share strengthens their bond. The meaning changes once it is uttered aloud in this context, making this folklore exclusive to this group of people and therefore only understandable to those who can understand the context that it is said in. This phrase has the exclusive purpose of bringing good luck and releasing tension similar to that of a charm.

“Hail Holy Queen, please let this light turn green”

Nationality: American
Age: 20
Occupation: unemployed
Residence: Simi Valley, CA
Performance Date: 2/22/23
Primary Language: English

Text: “Hail Holy Queen, please let this light turn green”

Background: A is an American catholic who is very devout and prayerful in her daily life. She often incorporates prayer into everyday tasks, even when driving her car to the grocery store.

Context: A says this little prayer every time she’s late, gets stuck at a pesky red light, and is desperately trying to get to her destination on time. She believes that it’s a grounding and wholesome little prayer that helps her regain patience, but also calls upon the Holy Mother (Mary) to enact her wish.

Analysis: This little short prayer demonstrates how many Christians like to call upon God or religious icons to help them through their every day lives. For a Catholic like A, calling upon Mary demonstrates the role that Jesus’s mother plays in the Catholic faith tradition. Although not worshipping or praying to her as a divine being, Catholics call upon Mary as a guiding force and role model. This directly contrasts the traditions of Protestant faiths, who do not view Mary in a similar light, but as a humble woman and historical figure in the Biblical epic. Therefore, they would not call upon her guidance in such moments throughout the day. A’s little prayer, like most Catholic prayers, highlights the importance of biblical icons, like Mary, to the faith tradition.

Ewiha Chant (Zalghouta): Folklore Song/Gesture

Nationality: Lebanese
Age: 18
Occupation: Student
Residence: Los Angeles
Performance Date: 2/14/23
Primary Language: English
Language: Arabic

Text: Ewiha Chant (Zalghouta)

Context: AH’s relationship to this piece stems from his Lebanese culture which allows him to have various experiences as he heard this song/gesture within his childhood and early adult life. His relationship relates to his connection with his aunt as she is the specific woman in his family that is in charge of leading the performance. He typically hears this chant at weddings during the dinner portion of the event or after the ceremony. Within his family, they typically use this song/gesture as a Lebanese tradition as they wish good luck to the newly wed couple. Within the tradition, self-expression is evident as yells, screams, yodeling and ululations are present. AH interprets this tradition as a good luck charm and as a sign of felicitations as his family believes that if this song/gesture is not performed, it is considered bad luck on the newly wed couple.

Analysis: The overall cultural value within this song/gesture is based on the act of ululating (zalghouta) which is practiced all over the Middle East and in some parts of Africa. Given that this act stems from Lebanese tradition, it holds cultural values within women considering this song/gesture is typically done by women given they are the only ones that can perform an ululation which is a high-pitched tongue trill. I see this gesture/song as an overall expression of happiness, joy, and celebration. Considering that I have not experienced this tradition being performed, I believe that this song/gesture during family events is a momentous moment that is filled with positive affirmations as two families conjoin together where luck, love, and unity is emitted within the atmosphere.