Tag Archives: music

Don’t B Sharp, Don’t B Flat, It’s Better to B Natural. (Gloss)

The phrase is a pun based on musical terminology:

“Don’t B sharp, don’t B flat, it’s better to B natural.”

This plays on the names of musical notes:

  • “B sharp” and “B flat” refer to accidentals in music.
  • “B natural” is both a musical note and a play on words encouraging someone to “be natural” in life.
  • The phrase suggests a balance—not being too extreme (sharp or flat), but being oneself (natural).

I first heard this phrase from M, the music director at my church. He used it in a lighthearted way while talking to the choir and musicians, emphasizing the importance of staying attentive in rehearsal with a positive attitude. He mentioned that he had heard variations of this pun before and liked using it as a joke to keep rehearsals engaging but also as a way to get members to self-check their presence in the rehearsal. Beyond the musical meaning, M explained it to me as a life lesson—encouraging people to avoid falling in uncontrolled extremes and instead be genuine and balanced. He uses this phrase both as humor and as a small piece of wisdom for his students and fellow musicians.

This phrase is a musical pun that also carries philosophical meaning. On the surface, it is a clever joke about musical notes, playing with the homophonic nature of “B” and “be” to create wordplay. However, beneath the humor, it conveys a message of authenticity and moderation.

Musically, being “sharp” or “flat” means being slightly out of tune—too high or too low in pitch. In a broader sense, these terms can symbolize extremes in behavior or emotions—being overly aggressive (sharp) or too passive (flat). By saying it’s better to “B natural”, the phrase suggests that the best approach in both music and life is to remain balanced, authentic, and in tune with oneself. As a musician who studies jazz at USC, this kind of wordplay is common in musician communities, where humor often arises from shared knowledge of musical terminology. It also reflects the tradition of using puns and idioms to pass down wisdom in a memorable way. In a church setting, this phrase could take on an additional layer of meaning, encouraging people to be true to themselves and their faith. Ultimately, this phrase highlights how language, music, and life lessons can intertwine, showing how humor can be used as both entertainment and a means of imparting wisdom.

Date_of_performance: 2/24/25
Language: English
Nationality: American
Occupation: Teacher
Primary Language: English
Residence: San Francisco, CA

Proverbs of Friendships

Nationality: Korean- American, Indigenous
Age: 19
Occupation: Student
Residence: Los Angeles, California
Language: English

Text: A Friend to All is a Friend to None

Context: Informant is a diehard Taylor Swift fan who can recognize and recite most of her discography. When asked if they knew any proverbs, informant immediately began thinking of certain lines they have heard in Swift’s music. Informant then recited, in a melodic fashion, “A friend to all is a friend to none,” from Swift’s song Cardigan. Informant describes that this proverb seems too old- fashioned to use in daily speech. However, they do describe the application of its message to daily life. Being a college student, Informant describes how this proverb allows them to understand and stay precautious of relationship dynamics at a large university. The informant describes that their choice to withhold certain information from certain people, being fearful they may tell it to others, it rooted in this proverb.

Analysis: I believe this proverb, and the specific interaction in which it was brought up, offers many insights into the modern distribution of folklore. Music, especially on a mass scale, has the ability to distribute messages to large groups. These folk groups are specific, however, as they are all listeners of the genre. It is also interesting to note that this proverb was recited in a manner very similar to how it was sung in the song. This preservation of oral- tradition may be unique to music, at least in terms of large scale distribution, as the audience canonizes this specific rendition. This proverb, and its non-melodic oicotypes, are likely to become more popular as technology advances because of the modern ease of spreading information. Especially within the youth populations, social media has become a primary means of forming and destroying relationships. As a people, we value trust. Social media has the ability to violate this trust at an unprecedented speed, allowing this proverb to be even more important now than it was in the past.

Memorate: A Coworker’s Ghostly Encounter

Context:

Informant N is the collector’s supervisor in the technology department of USC SCA. He is 27 years old and grew up in Denver, Colorado until age 7, when he moved to Sandpoint, Idaho. His father’s family is from the “deep south,” and his mother was “an army brat” who lived mostly near the east coast. N’s family has been in the US “since the mayflower,” and his ancestry is mostly German, Northern English, and Welsh. He now lives in Los Angeles, CA and is a singer/songwriter, as well as an employee of the film school’s technology services.

Text:

Informant: “Okay so when I was a kid, my mom – in the first floor, this was like a three story house, the house was like a hundred years old if not more. Um, classic brick style home, it was in Denver. And there was a doctor who lived in the house with his um… I think she was a distraught person, probably back then. Like she probably had some mental illness that was untreated and you know, back then they kind of skewed those people into obscure…”

Collector: “What year was this?”

Informant: “Oh this was like 30s (…). So she was a well-known pianist at the time and she eventually committed suicide in the house and the house was also a historical site. So the house is old, there have been people who lived there who had some musical connection and there was the suicide and you know… There was a couple times growing up where I would hear the piano play and my sister would hear the piano play while we were upstairs and my mom wasn’t home playing the piano nor was my dad or whatever, or we had a babysitter at the time. So there was just a couple weird moments in that house where the piano would be playing and we’d go downstairs and it would stop playing so whether that’s true or not I don’t know but I remember it and my sister clearly remembers it and to this day it’s very bizarre to me and it makes me feel a little… (*informant trails off*)”

Collector: “How did you find out about the woman who died?”

Informant: “My parents – my mom found out about it after they bought the house. The history of the house.”

Collector: “From who?”

Informant: “I think from a neighbor’s family or something. (…) It was like a local thing so it was kind of weird. (…) The piano that was in the house was over a hundred years old at the time.”

The informant also mentioned that his sister, who was 8 or 9 at the time of the piano incidents, is “still perturbed” by them to this day. He also mentioned that he experienced what he called “typical ghost stuff” – that he would hear dogs barking at nothing, and that one of the room’s in the house (his sister’s room) was specifically colder than others. His family checked and made sure that “the piano wasn’t a player” piano (a self-playing piano), and noted that the music he heard was notably classical, and that the woman who had died was a classical pianist.

Interpretation:

N’s ghost story seems pretty typical upon first glance, but I find it interesting because of both his personal context and folkloric trends in memorates. For one thing, the informant seems to truly believe that all of this happened and that something supernatural was going on because his sister also experienced it. He mentioned her multiple times throughout the story and when he was providing more context, and we’ve talked a number of times about how people tend to believe what their peers, family, friends, etc do. What’s more, his family heard about the woman who supposedly died in the house from a neighbor, making this particular figure almost a local legend. While I wouldn’t label her a full-on urban legend for lack of popularity or name, the story about her being mentally unstable and her death in the house is legend-like. She has the traits of one as a woman believed to be mentally unwell and responsible for a haunted area. The apparent ghost is not necessarily true, but there is a negotiation of sorts about whether to believe it for the informant, his family, and his neighbors. This woman’s story lines up with a lot of what we know about ghosts – having unfinished business of some sort (to play music for others), hauntings that happen when things don’t go as they should (her suicide), and the idea that ghosts’ have property even after death (the piano). This story is definitely a memorate for the informant, who seems unsure whether he believes in ghosts entirely, but is fairly convinced that something happened in this house, and still finds it inexplicable and bizarre 20 years later.

Christmas Music Car Ritual

Text
C: “My Grandma started this ritual because she was a very big fan of the Thanksgiving holiday and a very firm believer that like, Christmas season doesn’t start until Thanksgiving passes. Um, and so she started this thing in the car that you are not allowed to listen to Christmas music until the day after Thanksgiving. Um, and then it’s like- it was believed it was bad luck, like it’s not proper, like, um, I don’t know how to explain it, but it’s like we’re not celebrating the holidays in the proper way. And if someone requests it it’s like- like I have personally before been like ‘should we listen to Christmas music’ and been like shunned by my brothers being like ‘No! Grandma says we do not listen to Christmas music in the car until after Thanksgiving, like Grandma does not allow that.’ So it is like a holiday ritual now that we follow.”

Interviewer: “And was it like a big deal when you could listen to Christmas music again?”

C: “Mhm! Especially when it would be with my Grandma, because she would have in her car this, like, plastic container that was at least a foot long that had all of the CDs of Christmas albums, like, stacked. So like, it was when that got transferred from her garage into the car after Thanksgiving, that was the signal of ‘okay, now it’s time’ and then it like- it was like finally, we can ask and we don’t have to be afraid of her being like, ‘no, it’s not Thanksgiving yet.’”

Interviewer: “Would that be something, like, an act that you witnessed, or would it be like a fun surprise?”

C: “No, we would see her do it, because we practically lived with her for most of my childhood, so we would see her from the garage get- like, we knew where it was in the garage- get it and put it in. And then it was a thing of like, we can each grab one of the CDs and pick the ones we wanted, and then she would put them in and then take the next one out and be like ‘what’s the next song to have on?’ So it was like an actual little ritual thing.”

Context
C is a current student at the University of Southern California and grew up in Palm Desert, California. She explained that the ritual always occurred the day after Thanksgiving. When asked if anyone had ever broken the rule about no Christmas music in the car before Thanksgiving, C laughed nervously and admitted that she is a massive fan of Christmas music and sometimes listens to it in her AirPods during the summer, but that she “will NOT tell anyone” in her family, as they would still react poorly. Her pre-Thanksgiving Christmas music listening is restricted to her AirPods, however; she described one instance in which she began to listen to Christmas music in the car with her boyfriend before Thanksgiving, but felt “too guilty” and had to turn it off. Despite her love of Christmas music, C believes she will continue the tradition and ritual with her future family.

Analysis
This ritual seems to be a very calendric/seasonally-based ritual enforced, as C mentioned, to ensure the ‘proper’ and time-appropriate celebration of the seasons. I have noticed that the United States, especially in commercial settings, tends to begin preparing for Christmas well in advance of the holiday, often de-emphasizing Thanksgiving celebrations by barely squeezing it in between Christmas and Halloween. By establishing listening to Christmas music before Thanksgiving as a forbidden practice, C’s grandmother is able to keep the lines between different seasons and celebrations distinct and honor each in their own time. In doing so, she also created a ritual that, from C’s description, served as a fun and fondly-remembered marker of the beginning of the Christmas season for her and her grandchildren.

Carnaval Brazilian Festival

Informant: Carnaval, the most famous Brazilian Festival. You probably know it. Huge party every year. In Carnaval you play music in groups and do specific group dancing. its about celebrating your community and having fun with others around you.

Context: My informant was born in Brazil and spent the majority of his childhood there. Obviously he celebrated the Carnaval every single year. He would go with his family and dance all night and all day and listen to good music and eat good food. He hasn’t been back to Brazil in quite some time so he is looking forward to that.

Analysis: It is always interesting looking at the holidays of other cultures. You start to see the differences and similarities between what they celebrate it and why. Most American holidays are celebrated because of some holy person or because some tragedy that led us to being American. I quit like how this holiday according to my informant is just celebrating the community and having good times with everyone close by.