Tag Archives: ritual

Turkish circumcision wedding

Age: 21

“We got a circumcision wedding in Turkey. When you’re a kid, and you’re a boy, you know, and you get a circumcision, you do a wedding for him. Here [in America] usually you get a circumcision when you’re little kid, like a baby, but in Turkey, it was like, when you were, like, six, seven years old, they were doing, they were doing that. For example for me, I got a circumcision when I was six, and my parents did a wedding for me. Said we call circumcision. Wedding is for the boys and, like they invited a bunch of people, like in my wedding, that was like four or 500 people. Like 400 300 at least people in my circumcision wedding, and they give you money, and people is, having fun, you know, and that kind of stuff. 

So in the morning, when it was like one to 2pm in the afternoon, we’re doing a convoy. And probably, like, as much as the cars they come in, it’s like 20, 30 cars. They were like 35 cars. You know, we go one by one like everybody follows each other. It’s just one line. And everybody’s like, using their honk. And it’s like, sometimes being like, 20 cars, 30 cars, for the cars, you know, yeah, and people is coming, they following you. You being in the first car, usually. And, you just, like, telling the people who doesn’t know you, oh, I got the circumcision, you know. It’s a tradition too. Yeah, it’s on the wedding day. after that you just get them prepared. Youhave, a specific clothes that you should wear, and you wearing that clothes, and you just getting ready.

They are like traditional clothes. 

In the wedding, usually we have a pasta. not a pasta, actually, it’s a dessert we call pasta, but it’s like a cake, like a birthday cake, but a really big one, like, maybe, 200 people cake, you know, they can eat, slices, you know. And you have that and you dancing. And after, like, a couple hours, you have a different, you just not changing the clothes, but they give you something, and you wear something, and people is coming, and they starting to give you gold or, like money, but on the clothes, they put with the needle. Yeah, they give you money, they give you gold, whatever they give you, like, and you just thank them like, ‘Thank you.’ and your parents are in the same line. You ,your parents, your grandpa, you know, you’re waiting in the same line. And people is like giving you some stuff, presents, I’m coming from the Aegean side, we have a specific, like a dance for the Aegeans. And we did, that actually, (the zeybek dance).”

Context: 

This is a widespread traditional rite of passage in Turkey called sünnet düğünü. The traditional dance referenced is the zeybek dance. The informant said he didn’t understand, but knew it was important to his grandfather. 

Analysis:

This ritual is a public celebration of the informant’s transition towards manhood, and social recognition, and religious belonging. The convoy announces this to the broader community. The pinning of gold or money to clothes is present in other Turkish celebrations, like weddings and births, and ritualizes support and symbolic investment into the informant and his family, who are in line to receive gifts with him. In many ways, the celebration is for the family just as much, if not more, than for the informant who at that age, didn’t understand what was going on or why. The celebration as a whole ties Muslim identity (religious duty of circumcision) and regional community to the boy’s identity.

Snow Traditions

Nationality: American
Age: 17
Occupation: High School Student
Residence: Morris Plains, NJ, USA
Language: English

These were local rituals done to bring about a snow day. Especially when the informant was younger, there were lots of snowstorms in the area, and these rituals were said to help bring them. 

“The best days were always snow days because we had no school and everyone was free to do cool things like sled or make some money by shoveling snow. When we were young, like young, young, like 3rd or 4th grade we did all those things. We were flushing ice cubes, putting white crayons on the window sill… those other things. My mom actually found a white crayon on the windowsill of the basement the other day.” 

This ritual doesn’t have a designated time besides whenever a kid can’t take another day of school. It is a special kind of kid belief where flushing ice cubes creates snow or a white crayon will turn the ground outside white. It is also interesting because these rituals are only practiced in cold places, like the northeast of America. 

Gaff Circle

Nationality: American
Age: 19
Occupation: College Student
Residence: Morris Plains, NJ, USA
Language: English

“The Gaff Circle was a tradition run crew did before each show. We would stand in a big circle on stage and pass around a roll of gaff tape and put a piece on each other’s arm for each show we had done. The right arm was for musicals and the left arm was for plays. It was a pretty big deal to be an 8 show senior plus it was cool to see all the different years on run crew.”

This ritual is similar to an initiation and continuation ritual. People earn stripes of gaff tape to show how many years they have been on run crew. While run crew is considered an annoying job for most, at this high school, it was coveted. It was a sign that they were all part of the same little group and that they earned their spot. It creates community and connection between them while also reminding them of previous people and experiences. 

Kicking the Lamppost for Good Luck

Age: 58

1. Kicking the same lamppost going to and leaving from a football game at the Coliseum for good luck. 

2. This participant went to the University of Southern California and graduated in 1995. While at USC, the participant remembers the football game days very fondly, including all of the odd good luck rituals that students would perform in order to ensure a win over the visiting team. One such ritual that she remembers is how students would kick a lamppost while exiting campus (through the Exposition Blvd exit) and walking towards the Coliseum, and would have to kick the same one they initially kicked while walking back onto campus. The participant admitted that she didn’t really understand where or when this tradition came from, but she remembers all of her friends – and the students around them – would go out of their way to kick the lampposts for good luck at the game. She admitted that she thought it was hilarious that students at USC today continued the tradition – probably with the same lack of knowledge of the traditions’ origins.

3. Interviewer’s Interpretation: While I myself also do not know specifically where this game-day tradition originated, I can attest to the fact that USC students (myself included) still participate in the ritual to this very day. It could be possible that – much like the idea of a lucky shirt or some other lucky totem/item – one student or a group of students just so happened to kick the lamppost one day on their way to the game, and after winning that game, believed that they had to maintain the exact same routine they went through that day to ensure that they would continue to win games at the Coliseum. Since USC is a school with such a large football culture, it is no surprise that this game-day tradition would therefore spread amongst the students who wanted more than nothing to crush their opponents and uphold their school image through their sense of school spirit.  

Blessing the Fleet: A Family’s Springtime Tradition

Nationality: American
Age: 73
Occupation: Retired
Residence: Alameda, California

Informant Information:

Age: 73

Date of Performance: 2/26/2025

Language: English

Nationality: American

Occupation: Retired

Primary Language: English

Residence: Alameda, California

Text

“Many of the years of my childhood were spent near the Mississippi Gulf Coast. The region was settled by the French in the early eighteenth century, and their Catholic influence still prevailed in many festivals. Every spring, there was a blessing of the shrimp boat fleet in Bayou La Batre, in the bay near Mobile. We went several times and watched as the local Bishop, in all of his spring regalia—pectoral cross, mitre, and crozier (his staff)—blessed the fleet. My mother adopted the celebration for our family of seafood lovers. On the designated Sunday, she and her friend Ruth would prepare a big feast of fried and boiled shrimp, gumbo, Cajun potato salad, and fresh strawberry shortcake. The “Catholic” way to make the shortcake was not with cake and ice cream, but with seven layers of a large crispy wafer, interspersed with strawberries and topped with whipped cream.

Though we were not Catholic, we would always have Father Ryan at the table, decked out in his finest French Cassock to offer the blessing and, of course, stay for the meal. Most of the time, Father Ryan was known to us as “Tim,” one of my father’s Friday night poker buddies, who never even had a collar on then, much less the cassock. Afterwards, we sang some fun songs that I always thought had something to do with the shrimp boats, as there were lyrics about seamen, stormy nights, and high-seas adventures. Later in life, I discovered that these were traditional sea shanties that were just put into service for the blessing festival. I guess there aren’t a lot of songs about shrimp boats.”

Context

The informant grew up on the Mississippi Gulf Coast, where the French Catholic influence lingered in the community and shaped local traditions. One key tradition was the blessing of the shrimp boat fleet in Bayou La Batre, an event that became central to the informant’s family celebrations. Despite not being Catholic, the informant’s mother embraced the spirit of the festival and made it her own by preparing a lavish seafood feast, inspired by the flavors of the region. The presence of Father Ryan, who was also a close family friend, added an extra layer of warmth to the tradition. Father Ryan, often known to the family as “Tim,” would wear his cassock, a long, close-fitting black robe traditionally worn by Catholic clergy during religious ceremonies. This garment, which typically reaches the ankles and is a symbol of his clerical status, added a sense of formality to the celebration. The informant’s family would gather around the table for the blessing and feast, sharing in the joy of the event. After the meal, they sang traditional sea shanties, songs originally associated with sailors, that were adapted for the occasion. These playful tunes, centered on themes of seafaring, storms, and adventure, became part of the family’s unique celebration of the shrimp boat blessing. The informant’s family embraced the blending of community and personal rituals, transforming the tradition into something special for their own family.

Analysis

This celebration reflects the intersection of cultural influence, local customs, and familial bonding. The Catholic tradition of blessing the shrimp boat fleet becomes a fusion of community and personal ritual, as the informant’s mother adapts the event to fit their family’s love for seafood. By incorporating Father Ryan into the meal, the family also bridges the gap between the religious and the secular, celebrating with a blend of formality and familiarity. The food itself, deeply rooted in the region’s seafood culture, becomes more than just sustenance—it serves as a connection to the environment and a symbol of the family’s traditions. The sea shanties, originally created for sailors, offer a playful connection to the world of shrimping, and the informant’s discovery that they were traditional songs only enhances the sense of communal heritage. The family’s adaptation of the blessing, complete with a festive meal and singing, shows how traditions can be transformed and passed down, enriching family life and reinforcing connections to both the past and the present.