Category Archives: Customs

Customs, conventions, and traditions of a group

Manton, California Tradition: The Pig Roast

Nationality: American
Age: 53
Occupation: Partner at Ernst & Young
Residence: Manhattan Beach, CA
Performance Date: April 15th, 2012
Primary Language: English

Interview Extraction:

Informant: “So the infamous family get together… so every year at the time of the fourth of July, the Forward family would hold a reunion back up at our cabin that is near Lassen in Manton, California. And that is an area that was homesteaded by our great-great-grandfather, who actually was at West Point when the Civil War broke out. And he decided that he couldn’t choose between the North and the South, so he packed up the wagon and headed out to California to avoid the whole Civil War.  Any event, they settled in Oregon originally, and then they moved down to Northern California where Manton now is. And they eventually built a lumber company there, a saw mill. So uh, in any event that is where the family homestead is and we would go back every July 4th to the family homestead, and my grandfather and his brother, my uncle, would hold a big barbecue. And the way they would barbecue was that the meal was typically on Sunday, or whatever, but the day before you would dig a big pit and you would buy tri-tip and you would put it in burlap sacks. You would season the meat, put it in burlap sacks and wet it, and you built this pit. And the day before you would get some firewood, it had to be oak to get the right coals, and you would fill that pit with the coals and then would dig out the coals, throw in the meat that is in the wet burlap sacks and wrapped in the pit, and then you would throw dirt over those, and then throw the coals over that. So it is kind of like the Hawaiian pig roasts, they way they burry the pig. And then that cooks all night long and through the next morning. So part of the fun was digging the pit and keeping the fire going. And the men would stay up all night, until usually 1:00 in the morning when they would put the meat in. And they would drinking whiskey and tell stories.  There were no women allowed, this was just a guys thing. So then, we would dig up the meat the next day that had been cooking for 8 hours and we had this beautiful tri-tip that had slow cooked for 8 hours in the earth. And then we would add some more seasoning, and that was the main meal for our big family reunion party every year. And the family reunion was always done at the cabin near the lower pond. We actually had built a little picnic area just for that one party, every year. The other fun thing we used to do is there is no refrigeration but there is a creek that runs right by the picnic area, so instead of having to bring ice or anything, the creek was cold enough with the water coming off Mt. Lassen. We put all the food that had to be cooled in the creek, so the kids would have to build a little rock dam, a little pool so that the stuff wouldn’t wash down the stream. And we put watermelon in there, and put all the beer and pop bottles there, all the stuff the water wouldn’t hurt. And that was their kind of fun thing that was the kid’s responsibility every year.”

Analysis:

“The Pig Roast” as it is called serves as a way for the family to reunite every year.  The 4th of July was chosen for the reunion date for two reasons. One, getting to celebrate Independence day with family is a fun way for the family to reflect proudly on their American heritage.  Another reason why the date was chosen was because it is a time of year that is easier for family members to travel back to Manton, because the children are out of school for the summer and July is not a busy month for farmers, and ranchers, which is the occupation of many family members.  The pig roast is always held on Sunday of the 4th of July weekend, because Sunday is traditionally a day of rest and family time.

The special method of how the pig is cooked is also part of the reunion’s ritual.  The pig is generally slaughtered from the family’s farm, and then it is prepared in a special method that has been repeated since the first Manton pig roast.  The fact that only the men in the family are allowed to prepare the pig represents a strong patriarchal value in the family, which still holds true today.  When a boy in the family is finally allowed to stay up late with the men and drink whiskey and share stories, this important event represents that the family has accepted the boy as a man.  This initiation into adulthood is also the men’s way of saying to the boy that they are ready to give him more responsibilities as an adult.

The fact that every group in the family, the men, children, and women, all have a specific responsibilities for the preparation for the pig roast is tied to the family’s history of being primarily farmers and ranchers.  Working on a farm or ranch requires a lot of hard work and responsibility so everyone has to do there part, including the children.

The Manton pig roast represents American traditions and values in that there is a strong emphasis on family, hard work, and independence, which is reflected in the origin story of the family homestead.  This is because the idea that their great-great grandfather was a pioneer in the West represents the idea that in America if you work hard and have the determination to do so you can accomplish great things.  This story is often used to inspire these ideas of success and independence in the family today.

My informant was born in 1957 Arcata, California to a high school basketball coach and his wife.  After earning his undergraduate degree in engineering from the University of California, Davis, he moved to southern California to obtain his MBA in business from the University of Southern California.  He now a partner at Ernst & Young. He lives in Manhattan Beach, CA with his wife and has two children.

 

Theater Occupational Superstition: Don’t Whistle in the Theater!

Interview Extraction:

Informant: “Ok, so you want to hear the story about why you don’t whistle in the theatre? One reason is that supposedly the first riggers* in the theatre were sailors. And sailors received their orders via whistles, which supposedly carried better than voices in the wind. And so you didn’t want to be backstage randomly whistling ‘Two Gentlemen from Veronia’ and have the scenery come crashing down on your head because you were whistling the cue* for the sailors who were doing the rigging.

The other supposed origin of that superstition is, in the days of gas lit theatre there were a couple of stage hands who’s job it was to wander around and relight any gas jets that had gone out because other whys you would get sort of a large pocket of unburned gas that would eventually get to another gas jet and you would have a big fireball and the theatre would blow up and… that was bad. So they were listening for a particular whistling sound that supposedly this gas jet that wasn’t lit would make and you didn’t want to distract them from their fairly important work.”

Analysis:

This superstition was not one that I was aware of prior to my informant mentioning this belief in one of his class lectures.  The belief is that it is bad luck to whistle in the theater, and doing so will doom the production you are working on.  There are no known ways to cut the curse.  The superstition of whistling in the theater is similar to the superstition that walking under a ladder is bad luck.  Both superstitions serve as a way to teach safety, because if someone were to break those beliefs they would get hurt.  Something could fall off a ladder and hit them on the head or a piece of scenery could fall on top of them.  You are more likely to get told to stop whistling in the theater because you are distracting the production crew than you are to be told to stop whistling because it is bad luck.  Working in theater can be very dangerous if you are not aware of your surroundings because crew members are constantly moving heavy equipment.  Distracting people from their job not only serves as a danger to yourself, but to others as well.  In that sense, whistling in the theater becomes homeopathic magic because it really will bring your production bad luck due to the destruction and distraction it can cause.

However it is unclear which one of the two stories is the true origin of the superstition.  There is a possibility that the true origin of the whistling superstition came from the first story my informant mentioned, because that theory is more well known to people in the theater than the gas-jet theory.

My informant was born in 1961, Connecticut.  He has more than 30 years of experience in theater and has worked on over hundreds of productions.  He continues to work on theater productions today, and serves as the associate professor of theater practice and technical direction at the University of Southern California. He lives in Los Angeles, CA.

*Riggers: is term that describes someone in charge of moving or lifting heavy objects using a pulley system.  The term comes from sailing speech, in which a rigger is someone who uses ropes to hoist the sails on a ship.  This is exactly what a rigger in theater does, but instead of hoisting sails they are hoisting scenic pieces.

*Cue: is a term used in theater that means a signal to do something.  A signal or cue indicates that it is time to move a part of the set or play a certain song for the production.

Theater Occupational Superstition: Macbeth (Version II)

Interview Extraction:

Interviewer: (continued from a pervious question) “So it’s considered bad luck to whistle in the theatre, right?”

Informant: “If you are whistling backstage it is considered back luck. I don’t know what you do to cure that, it’s not like ‘The Scottish Play’ where you have to go outside, twirl around three times and spit into the wind or something. I never entirely understood that one…”

Interviewer: “And that ‘cure’ changes every theatre your at, doesn’t it?”

Informant: “It seems to be, the cure for that seems to vary a lot with who ever you talk to. I don’t know where that superstition came from.”

Interviewer: “And is it true that that they think Shakespeare actually took real witchcraft and put it in his play?”

Informant: “Uh, well… I don’t know. However. In the production that Orson Welles did for The Public Theatre, supposedly he hired real voodoo witch doctors to play the witches. Hints, Voodoo Macbeth. And at the beginning of the play, the witch doctors arrived and they requisitioned a goat. Which was provided to them. And they then proceeded to go into the basement of the theatre for three days and at the end of that time they emerged with their drums to use in the production. Presumably they also requisitioned some lumber with which to make the sides of those drums, I don’t know… Anyway. When the production opened one of the New York Times critics was particularly vicious and did not like the play. And the cast and the crew were sort of moping around because they had gotten this really horrid review and the compliment of witch doctors supposedly went to Orson Welles and said ‘this man made you all so sad, is he a bad man?’ And Orson Welles supposedly said yes. And then three days later the critic got sick and died. You may draw your own conclusions from that! But yes, supposedly the theory was that voodoo was done.”

Analysis:

The Macbeth superstition is among the most common superstitions that people working in theater follow.  The legend of Macbeth is that it is bad luck to say ‘Macbeth’ in the theater.  To prevent unlucky things from happening such as the set falling over, people are encouraged to say ‘The Scottish Play’.  If you do make the mistake of saying ‘Macbeth’, you have to cut the curse by performing some kind of protection ritual.  This ritual changes based on who you talk to due to the fact that it is such widespread legend and many people have different ideas about the curse.  The first time I heard about the legend was in Boston, when I broke the rule of not saying ‘Macbeth’ in the theater, and the people I was with made me run around the theater three times to cure the curse.  The next time I heard about ‘The Scottish Play’ legend was in Los Angeles, where the cure for the curse was to spin around three times and spit over your shoulder.  It is hard to say if the cure changes based on your location because people in theater often travel for work, so the ideas on the legend would be mixed.  There are many different origin stories behind the legend of Macbeth, and the story my informant mentions is only one possibility of why people in theater are attracted to this superstition.

The production of Voodoo Macbeth was a real production that occurred in 1936 under the Federal Theater Project, and the New York Times critic that gave the production a bad review really did die three days after he published his review.  Whiter or not the cause of death was related to Voodoo Macbeth remains to be determined.  His cause of death could have been influenced by homeopathic magic, in which his anxiety over the threat of the witchdoctors caused him to die or the cause could have been from contagious magic, in which the witchdoctors actually performed a spell.  This depends on your view of witchcraft.  Or perhaps his death was unrelated to the theater production, and the timing of his passing was just a coincidence.  The fact that this really happened gives the legend more power in the imaginations of those who tell the story.

Real instances such as this are what makes ‘The Scottish Play’ superstition such a popular belief in theater culture.  Another reason why this superstition is so popular along with other theater superstitions is that believing in them is fun.  People are attracted to theater because it is about storytelling.  Therefore when people in theater participate in these kind of customs, they are doing so because it is an extension of working in an occupation that is full of play.

My informant was born in 1961, Connecticut.  He has more than 30 years of experience in theater and has worked on over hundreds of productions.  He continues to work on theater productions today, and serves as the associate professor of theater practice and technical direction at the University of Southern California. He lives in Los Angeles, CA.

Tabi Po

Nationality: Filipino
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: March 2012
Primary Language: English

“Another thing Filipinos do is they say Tabi Po when they do something that might disturb earth spirits. Almost all Filipinos believe in, and everyone’s heard of the Dwende, which is miniature little spirits that live in the earth and trees and houses and pretty much everywhere. And Tabi Po is basically the way of saying sorry for disturbing you, Dwende. So if you knock over something that a dwende might live in you have to apologize, Tabi Po. If you think about it, it’s kind of dumb, but it’s a Filipino tradition, and I definitely use it when I’m home and drunk and have to pee outside, like, ‘Sorry Dwende for peeing on your home.’”

This tradition is an interesting perspective of Filipino culture. The informant explains that everyone in the Philippines knows of the dwende and when to say Tabi Po, and he probably began using the phrase “Tabi Po” from an early age. Knowing this, we could possibly classify it as a socializing force in Filipino culture. Tabi Po teaches children from an early age that it is important to respect the Earth and the environment. Dwende seems to be synonymous to a sense of personal space and ownership, in American culture what would translate to not disturbing others’ property and nature.

Similarly, Tabi Po also allows Filipinos to understand when they do something wrong, serving as a standard for acknowledging mistakes and accepting responsibilities for actions. Supposedly, by saying Tabi Po, the Dwende forgive the person and leave them alone, synonymous to apologizing for mistakes to maximize respectfulness and minimizing conflict.

Basketball Superstition: Rolaids and Army Socks

Nationality: American
Age: 53
Occupation: Partner at Ernst & Young
Residence: Manhattan Beach, CA
Performance Date: April 15th, 2012
Primary Language: English

Interview Extraction:

Informant: “So growing up I played basketball, and my dad was a basketball coach. And basketball was the most important thing in my life. I played basketball- I was like Jack across the street, I played basketball every day. Every year, every day I would be out shooting hoops and what not. I was pretty good, I was a good shooter. But shooters are very superstitious and there was a certain amount of you get hot, and you don’t get hot, right? Where your shooting is off, so you have good nights and you have bad nights. Well, part of that is psychological.  So my dad, my dad who was the coach, he had a really nervous stomach. And so he would buy not rolls, but boxes of Rolaids. These white tablets, and he kept them in this brown cardboard box with no writing on it. So the players would notice that Coach Paul had these, so he got the idea that he would tell his players that these were shooting pills that would help you shoot the ball better. And so, it became a big joke, but he used to hand them out before the game to everyone and they were the quote “magical” pills. And everyone knew that they probably weren’t, but we all felt like it was good luck to eat one of Coach Paul’s Rolaids before the game to help our shooting. So I became very superstitious, I always had to have a Rolaid before every game. And my socks, my Pete Maravich socks. Pete Maravich was a great basketball player who died very young. His dad was also a basketball coach, and he wore these grey old army socks. And he was a great player, and he wore these baggy old army socks that he was always wiping his hands on. And uh, so I bought some and I had some baggy grey army socks and I used to wear them because Pete wore them.”

Analysis:

As an athlete, there is a tremendous pressure to do well.  While the outcome of the game is largely from the collective or individual effort of the players, there is a psychological necessity to create familiarity and order in your sport so that your mind remains calm and focused during the game.  To create a sense of peace, athletes have come up with many different rituals to perform before the event so that their mind becomes free of anxiety and focused on what they need to do.  This can be a number of things that vary on the sport or individual, such as taking time to stretch by yourself before running a race or picturing yourself doing well during the game.  This kind of homeopathic thinking is also very common in basketball.

The superstitions my informant mentioned are ones that are unique to him, though I have heard of similar rituals in my research such as basketball players having a lucky pair of shoes they always wear for a game.  The Rolaid superstition serves as two functions. One, it is a unique tradition that the Arcata High School basketball team shared during the time my informant played that created a sense of community with the players by having this ritual.  This sense of community is important with playing in a sport that relies on the collective effort of a team.  The second function is that the Rolaids are part of a homeopathic magic that helps the players get into the mind-set that they will succeed.  Having a winning attitude is an integral part of performing well in any sport.

The other superstition involving the Pete Maravich socks is also a form of homeopathic magic.  The informant believed that by wearing the same kind of socks Pete Maravich wore, he would be able to perform as well as Pete Maravich.  Thus creating the same kind of winning attitude that the Rolaid ritual gave to the players.  While my informant no longer plays on a basketball team, he has taken his sock superstition with him into his professional life.  He once mentioned to me that he has a favorite pair of socks he likes to wear for important business presentations.  In this sense he is using the ritual he learned as a basketball player to create a winning attitude in business, which is also integral to successful proposals or negotiations.

My informant was born in 1957 Arcata, California to a high school basketball coach and his wife.  After earning his undergraduate degree in engineering from the University of California, Davis, he moved to southern California to obtain his MBA in business from the University of Southern California.  He now a partner at Ernst & Young. He lives in Manhattan Beach, CA with his wife and has two children.