Tag Archives: god

Korean story: The Woodcutter and the Axes

Nationality: Korean
Primary Language: Korean
Age: 68
Occupation: retired, former pastor
Residence: Seoul, South Korea
Performance Date: 24 March 2024

Tags: woodcutter, ax, god, greed, lake, gold, silver

Text:

Once upon a time, there was a woodcutter who would chop down trees and sell them for firewood and such. One day, while he was chopping logs, his ax slipped out of his hands and into a lake. As the woodcutter went to retrieve his ax, a god appeared out of the lake, with the woodcutter’s ax in hand as well as a shiny new gold and silver ax. The god asked the woodcutter which ax he had lost, and though the woodcutter was enamored with the gold and silver axes, he truthfully said that he had lost his normal one. The god was pleased with the woodcutter’s honesty and gave him all 3 axes as a reward. Word of the woodcutter getting the new axes spread throughout the village, including to the ears of a rival woodcutter, who got jealous and sought to do the same. Thus, one day while cutting logs, the greedy rival woodcutter threw his ax into the same lake, where the same god came and asked him the same questions as the other woodcutter. The greedy woodcutter lied and said that he had lost the gold one, so the god got angry at his dishonesty and drowned him in the lake.

Context:

H. is a born and raised South Korean citizen, and has had experience with telling stories through giving sermons in his church. This was simply one of the stories he told me when I was young in Korea. H. was aware that there were other versions of the story, and just said he told me the one that he knew the best, thinking about whether he should include the part with the greedy woodcutter.

Analysis:

Obviously, this story is derived from the story of the Woodcutter and Hermes, adapted in a Korean setting where the god is unnamed and some small details are changed. The aspects of being honest and not being greedy are pretty common lessons that still hold up in modern Korean society, and this is another good example of a story being changed throughout time and place from its original version.

Namaz E Janaza

My informant is Pakistani and has lived in many countries worldwide, yet has deep knowledge of his culture and is very associated with certain events and occasions that occur in Pakistan.

Funeral Ritual:

This prayer, typically known as “Namaz E Janaza” is a common type of prayer “performed at funerals”. It is a ritual that has “existed in Islam for a very long time” and is “very important to our religion and culture.” The ritual is illustrated by a “group of people that are praying as the body is put in front of them” He states that it is because “everyone is praying towards god when the body is also there” conveying the influences of religion on their life. The informant also states that it is “the same Islamic prayer from the Qur’an that people read.” It is a widely known tradition in South Asia, specifically Pakistani culture when it comes to funeral rituals and events that must take place in order to properly bury a body.

Context:

The ritual is “always performed by men in a room separate to the women,” and the informant continues to assert that “they cannot be together and a woman cannot speak the prayer to the body” highlighting the strict nature of this ritual and the specific cultural customs on death and funerals. It is usually done in Pakistan but also occurs in other Muslim countries that still honour this method of performing the funeral ritual. It is a very important aspect of how the body is sent to heaven and is a pivotal step in “family healing using religion and ensuring they continue in heaven”

Analysis:

The religious aspect of funerals is very common in many cultures, however, in Islamic culture, the split of the men and women into separate rooms signifies the power that the prayer holds as it is part of their tradition. Death and prayer being portrayed in a ritual allow families to use the religious scripture provided to them as a mode of grieving their loved ones in a structural manner, making it easier on the family that is closer to them. Although, the formality of the occasion eliminates personalisation of the funeral and family members when burying and honouring the dead as they must follow the known written words instead of making them uniquely theirs, which is seen in other cultures. However, it is a religious and important part of their cultural identity, therefore, the prayer does not solely mark the death of an individual but paves a path to their god that they are praying to, following the practices of their culture and tradition as it is passed down.

The Ax Farmer – Tale

Nationality: Korean American
Age: 18
Occupation: Hotel Clerk/Student
Residence: Los Angeles
Performance Date: 03/06/2023
Primary Language: English
Language: Korean

Context: R is a Korean American who was raised in Hawaii. She moved to Los Angeles to attend USC and is currently a freshman studying Computer Science. Her mom told her this story, and R herself has heard from multiple Koreans each with their own variation on what the tale sounds like. According to R, it’s a very popular folktale.

Text:

The story of the ax farmer begins with an axman who had a very poor quality ax. It was wooden and broken. He dropped in this lake one day, and there was a god living in the lake and the god appears with two axes in his hands, one gold and one wooden. The god asks the axman “Which one is your ax, the golden one or the wooden one?” The axman answers honestly with “the wooden one.” The god, impresses by the man’s honesty, gives him the golden ax.

However, there was another man listening to the ax man and god’s conversation. He then purposefully threw an ax into the lake and the god appeared. The god asks the man which ax is his and the man chooses the golden ax. The god knew he was lying, so he punished him. The punishment R never specifies, but she implies that the god severely punished the other man for lying.

Analysis:

Like any tale, the god and man interaction and the golden ax is clearly not real. There is no real lake that this story was at nor would there be a god living it who can give golden axes to passersby. But, due to the context in which these motifs are placed, the audience is able to learn a very real and applicable lesson about honesty and punishment. From Oring’s definition of a tale, the inherent falsehood of the narrative makes it easier to digest; the linear path the plot takes and the extreme contrast of the characters allow the logical and real-world solution to the story, the man’s punishment, to be impactful and relatable. From there, the two-dimensional and predictable story can be adapted into metaphor, and then motif and then life lesson. A god living in a lake and the existence of a golden ax are metaphors for a high power or authority in life and rewards. By pleasing the authority figures with honesty and good morals, rewards will be given. Lie to power or manipulate selfishly, the punishment will be severe and no such rewards will be yielded. Tales like these are usually told during childhood, so this tale gives a young and innocent audience a hard truth about living in society without it being overwhelming or stressful. The tale is blaring entertainment, yet perfectly subtle in the delivery of morality and ethics.

Christian Faith Testimonial

Nationality: American
Age: 59
Occupation: Electrician
Residence: Palmdale, CA
Language: English

Context

My father faced a lot of difficulty in his early life. Born in the same Southern California town that I was, his mother died at 11 and his father at 17, leaving him orphaned and couch surfing immediately out of high school. He had been raised Christian, but fell hard into the Evangelical Christian revival of the 1980s. Although we no longer attend church and his views have softened drastically since I was a child, he maintains a strong tie to his faith. I first heard this story about a week before I asked him to record it. We were having a lengthy discussion about the world, and he told this story as testimonial for his faith. This recording occurred over family dinner at my parents’ home. The events that are described likely happened in the year 1980 or 1981.

Text

SS: We were–my wife and myself–and, and a good friend of ours were young Christians. And we traveled everywhere together. And I had nothing. I had no job, I had nothing. And my father and I lived together and he was he was getting ill, I really realized it. But I came, we’re living in this little one bedroom. I would call it a shack. And I was sleeping in the bedroom, he slept on the couch. And my–I came home one day back to the little shack. And my brother had been there–when he lived in Arizona, and I hadn’t seen him in a long time. And he left a note saying, I took your dad and, and took him back to Arizona because he’s sick. Need to take care of him. And because you have nothing here.

SS: And basically, we spoke with the–the owner of this place who owns the house up front, “You’re gonna have to move.” I had no job I had no nothing. And I was–was damn I didn’t know what I was gonna do. And, and I just–I basically went and, and laid on my bed and, and cried out to the Lord, I just said, Jesus, I can’t do this. I can’t, I got no place to go. I’m done. I, you know, I wept and prayed. And then I went into a really deep sleep, like a nap but deeper.

SS: And I was awakened by banging on the door. And it was our friend that came to the door. And–and he was always optimistic, positive, full of the Holy Spirit. And he–and he said, he said, “The Lord told me to come here and said you needed me to help.” So he said, “Let’s walk.”

SS: So we hitchhiked–and we hitchhiked probably from one city to another, probably 12 miles. And we ran across a guy that was looking for help. I think it was working in a gas station. He hired me. And that same time, I don’t know how it came about. But my godparents’ son contacted me, I don’t know if I he called me. I don’t think you could call me because this was before cellphones, but if I ran across him, I don’t really remember. But he was living in a–in a mobile home park, and he needed to help sometimes with his–help him, you know, clean up around his place because his–’cause his wife and daughter, because he was working so much. And he had a–he had a little travel trailer on the side inside of his carport.

SS: And so by the end of that day, I had a place to live and two jobs. And I always attribute it to the fact that I was as low as I could go. And I think sometimes when you when you cry out from that point–from that position, it’s when God answers your prayers. It’s when you’re–when you’re done and you got no options, because he wants us to cast our cares on Him, so he can carry us. But we’re too proud most of the time.

SS: So that’s that story.

Analysis

Although I no longer identify as a Christian, I find this story compelling, especially given my emotional connection to the speaker. A testimonial like this has a very specific context. My father is an open-minded man in many respects, and immediately prior to this, I was speaking about my spiritual beliefs that are completely alienated from Christian theology. He brought his story up not necessarily to convince me of the existence of the Christian God, but rather to reaffirm his own faith. Coincidence or not, real life events created this narrative, demonstrating how religious experience is not just doctrinal, but first-hand and emotional too.

Following Propp’s “31 Narratemes,” the narrative can be broken up into key narrative elements: the stakes effecting the protagonist are defined; absentation, someone goes missing (1); villainy and lack: the need is identified (8); mediation, the hero discovers the lack (9); acquisition, hero gains magical item (14); departure, hero leaves on a mission (11); transfiguration, hero is given a new appearance (29); resolution, initial misfortune or lack is resolved (26).

“If the good Lord say’ the same”

Nationality: American
Age: 46
Occupation: Engineer
Residence: Houston, Texas
Performance Date: 02/21/2023
Primary Language: English

1. Text (dite)

“If the good lord say’ the same”

2. Context

My informant grew up in the south hearing this phrase and picked it up along the way. When asked “are you going to the game?” his father replied, “I’ll be there if the good lord say’ the same.” He explained how this means “if I’m still alive and well” and am not yet with the Lord, then the answer is yes. Another way of simply saying yes, so long as I’m still alive. He chuckled when enlightening me about this piece as it is often said in a joking manner. As he, grew up in a Baptist Christian household, this saying is representative of the belief in God and that our life and death are both up to the Lord’s will. He explained how his familial beliefs growing up centered around Christianity and how ultimately things in our lives are out of our control and in God’s hands.

3. Analysis/YOUR interpretation

When I first heard this saying, I wasn’t sure what it was referring to. After the context behind the saying, it made a lot more sense as there is a strong relation between the people in those communities carrying and passing this piece of folklore on and their shared religious nature. Growing up in the south myself, it’s no surprise that old sayings emerge out of a shared religious belief. The majority of people that I know from the south as well, all share a religious belief of some kind. This saying, however, puts a (dark) humorous spin on a conversation insinuating that you may or may not die before you see that person again, and that regardless, it is out of your control. So if  “the good Lord” says so, meaning if the good Lord hasn’t taken you (i.e. you’re still alive), then all is well. This seems to stem a lot from Christian beliefs popular in the south and the idea that God is an overarching being that may or may not decide life, death, the afterlife, etc. The way that this phrase is stated also gives an inclination toward southern slang and a slight accent that many southern colloquialisms have. According to Von Sydow, these dites are often sayings for personal narratives that typically involve a supernatural being of some sort. In this case, that being is God and the dite gives a narrative to answer the question that could’ve otherwise been answered with a simple “yes”.