Tag Archives: indian culture

MUNDAN (HEAD TONSURE)– RELIGIOUS CEREMONY

Nationality: Indian
Age: 53
Occupation: Programmer Analyst
Residence: Las Vegas
Performance Date: 2/19/2023
Primary Language: English
Language: Tamil

Informant Info

Nationality: Indian

Age: 53

Occupation: Computer Programmer

Residence: Las Vegas, Nevada

Date of Performance/Collection: 2023

Primary Language: English

Other Language(s): Tamil

Relationship: Mother

Referred as AS.  AS was born in India and moved to the United States when she was 24. 

Text

The Mundan ceremony, also known as the Chudakarana or the Godh Bharai, is a Hindu ritual that involves shaving a child’s head. The ceremony is usually performed when a child is six months to two years old, although the exact age and timing may vary depending on local traditions and customs.

Context

While growing up, AS attended this ritual for several kids in her family.  She has done this ritual for my brother and me.

The origin of the ceremony can be traced back to ancient India, where it was practiced as a way of cleansing the body and mind.  The ceremony is performed to mark the end of a child’s first year of life, while in others, it is done before a child’s first birthday In some communities, the hair is offered to a deity, while in others, it is buried in the earth or thrown into a river.  The ceremony is believed to remove any negative energies and impurities from the child’s life and promote his or her spiritual growth. 

Interpretation

The Mundan ceremony has several cultural and religious significances, and its interpretation may vary depending on the specific community or region. Here are a few common interpretations and significance of the Mundan ceremony:

  1. Symbolic purification: In many Hindu traditions, shaving off a child’s hair during the Mundan ceremony is seen as a symbolic purification of the child’s body and soul.
  2. Cultural tradition: It is seen as a rite of passage for the child, marking his or her entry into the family and community. The ceremony also allows family and friends to come together and celebrate the child’s growth and development.
  3. Symbolic sacrifice: Shaving off a child’s hair during the Mundan ceremony is seen as a symbolic sacrifice.

PARAI – FOLK MUSICAL INSTRUMENT

Nationality: Indian
Age: 55
Occupation: Chief Information Officer
Residence: Nevada USA
Performance Date: 02/19/2023
Primary Language: English
Language: Tamil

Informant Info

Nationality: Indian

Age: 55

Occupation: Chief Information Officer

Residence: Las Vegas, Nevada

Date of Performance/Collection: 2023

Primary Language: English

Other Language(s): Tamil

Relationship: Father

Referred to as JS.  JS was born in India and moved to the United States when he was 22. 

Text

The parai is a traditional percussion instrument commonly used in South India, particularly in Tamil Nadu.  Predominantly, this instrument is played at funerals.  It is also played at many events, including weddings and religious festivals.

Context

While growing up, JS heard this from his parents and relatives.  He has witnessed this instrument being played at funerals and some religious festivals.  He also saw this during his father’s funeral.

The music is often played by professional parai players who are skilled in the art of traditional drumming.  The rhythm of the Parai is believed to have a robust and mournful quality, which is supposed to help mourners express their grief and sadness.  The playing of the Parai is often accompanied by singing, and the songs and stories sung during death rituals are believed to help the deceased journey to the afterlife.  In addition, at funerals, the parai is often used to provide musical accompaniment during the procession and to announce the dead’s arrival.

Interpretation

The interpretation of parai music at funerals is tied to its cultural and historical context. In Tamil Nadu, music and dance have long been an essential part of funeral customs, and the parai at funerals is seen as a way to preserve this tradition and pay tribute to the dead.  In traditional rural communities, the parai music at funerals is also seen as a way to respect the deceased and remember their life and legacy.   In addition to its cultural and historical significance, parai music at funerals is also seen as a way to comfort and support those grieving. The powerful sound of the drum is believed to bring a sense of closure and peace to the mourning process.

Overall, the Parai is an essential and profoundly symbolic instrument in Tamil Nadu, and its use during death rituals is a testament to the region’s rich cultural heritage and traditions.

KAAVADI – SOUTH INDIAN FOLK DANCE

Nationality: Indian
Age: 54
Occupation: Senior Programmer Analyst
Residence: Nevada USA
Performance Date: 02/19/2023
Primary Language: English
Language: Tamil

Informant Info

Nationality: Indian

Age: 53

Occupation: Computer Programmer

Residence: Las Vegas, Nevada

Date of Performance/Collection: 2023

Primary Language: English

Other Language(s): Tamil

Relationship: Mother

Referred as AS.  AS was born in India and moved to the United States when she was 24. 

Text

Kaavadi Aatam is a traditional dance-drama performed in Tamil Nadu and other parts of South India, particularly during religious festivals. The performance is typically associated with Hindu temple festivals and involves a procession of people carrying a large, decorative structure called a kaavadi.  The kaavadi is usually made of bamboo and is decorated with brightly colored cloth, flowers, and other decorations. Participants in the performance carry the kaavadi on their shoulders and dance to the beat of drums and other musical instruments.

Context

While she was in India and during her visits to India to visit family, she saw the  Kaavadi dance performed by various community members. While telling me about the dance, she would occasionally perform small parts of it.

The performance is seen as a way to pay the gods homage and seek their blessings. The dancers and participants in the performance are typically devotees who have pledged to carry the kaavadi as an act of devotion and to fulfill a vow or promise.

Interpretation

The interpretation of Kaavadi Aatam is rooted in its religious and cultural context.  In addition to its religious significance, Kaavadi Aatam is also seen as a cultural expression. The performance is a way for people to express their creativity, energy, and devotion through dance, music, and the elaborate decoration of the kaavadi.

One of the main significances of Kaavadi Aatam is the offering of penance by the devotees. It is believed that by carrying the kavadi, a physical burden, the devotees are offering their penance and devotion to Lord Murugan.  The dance is also a form of self-mortification and a way of seeking purification and atonement for one’s sins.  Another significance of Kaavadi Aatam is seeking blessings and fulfilling vows. Devotees carry the kavadi as a symbol of their devotion and commitment to Lord Murugan, and they believe that by doing so, they will receive his blessings and protection. The dance is also a way of fulfilling vows or promises made to the deity, such as granting a wish or seeking a cure for an illness.  Kaavadi Aatam is also seen as promoting communal devotion and spirit.  The dance is performed in groups, allowing devotees to come together, bond, and strengthen their relationships. 

Nazar or the “Evil Eye”

Nationality: Desi American
Age: 18
Occupation: Student
Residence: San Francisco, California
Performance Date: April 2021
Primary Language: English

Background/Context:
The interlocutor (AG) is a roommate of the interviewer (INT). She grew up in the Bay Area with a rich Punjab heritage.

Description: (told over text)
(AG): “The evil eye for Punjabis is called nazar, and like other cultures it means someone is jealous of your successes. It has to do with people’s auras, so if you’re around people who are negative and jealous of you or your success you can get affected by nazar. it can basically impede your life and like the path to move forward like I said the other day.”

(INT): “Is there a way to get rid of it?”

(AG): “Yeah the way my dad’s mom would protect them from nazar would be to take 7 red chilis and then circle them around their head 7 times, then throw the chilis into fire.”

(INT): “Do the chilis do anything? Like what are they there for?”

(AG): “I think its something like how chilies can attract all that bad energy quickly and then they get thrown into fire to destroy it.”

INTERLOCUTOR’S OPINION:
(AG): “I mean, nazar is just like, a thing that’s always present in my life I guess? I’m not too worried about getting affected by nazar since I know how to cleanse it, but then again, I think I’m pretty aware of peoples auras and try to only hang around with people who give off good vibes :)”

FINAL THOUGHTS:
I know that a lot of cultures share this belief in an “evil eye,” which is pretty heavily based in the belief that people’s negative energy can affect you badly in the same way that their positive energy can benefit you. I think this belief can also be applied to the need for explaining the unknown, such as why people must endure hardships, illness, and loss. Nazar is a possible explanation for these negative things, and by purifying oneself from the evil eye, they could purify themselves from everything that’s holding them back as well.

Menstrual Taboos In Modern-Day India

Nationality: Indian
Age: 25
Occupation: Recent Graduate (Master's)
Residence: Los Angeles
Performance Date: 05/02/2021
Primary Language: English
Language: Telugu, Hindi

Informant’s Background:

My informant, SV, is a recent graduate with a Master’s from the University of Southern California. He is 25, was born in Hyderabad, Telangana, India, and moved to the United States to attend a graduate program at USC. Post-graduation he remains in Los Angeles hunting for a job.

Context:

My informant is my roommate and a close friend of mine. I asked him if he could share some Indian traditions, customs, or folklore with me.

Performance:

SV: “So… One of the kind of, er, traditions in India… are like women are considered impure when they’re doing their periods. So they’re not allowed to a lot of places, or they’re not, for example, like temples or a lot of holy places, or they’re not allowed in the kitchen and to cook food. So this is a tradition that is probably more prevalent in more rural areas which isn’t as prevalent in other areas where people are progressive and aren’t as strict with these rules but this, uhm, used to be a thing maybe in older generations where women would have their, like I guess rights limited when they’re on their periods and they have limited things that they can do and they’re sort of oppressed in some sense. Another thing through this is also the fact that sort of like talking about it is considered taboo. Like I guess when I was younger I didn’t realize it but then later when I got older I understood that like, because my mom’s on her period, that’s why she’s missing temple. Because when I was younger I would just think that she was busy or she was tired. And it didn’t make sense to me when I did understand it, because I thought it, to me, was just a normal bodily function, so uhm… I didn’t quite understand it but trying to talk to her about it wasn’t something she was comfortable with. Same at school, it’s considered very taboo to sort of like, openly talk about it, so for example sometimes at school a girl might be on her period, and she forgot her pad, so like she’d borrow it from a friend, and it’s sort of like they’re passing drugs or something it’s like… it’s so secretive. They’d cover it up with newspaper or with a plastic bag because it’s something that for some reason is considered embarrassing.”

Informant’s Thoughts:

SV: “It’s a normal human function, right? So I guess I still find it odd they treat it this way, but I guess that’s just how it is.”

Thoughts:

Menstrual taboos are fairly universal, seen in a wide range of cultures throughout the ages and even up to this day. In this case, the informant notes that menstruating women are seen as impure, hence they are not allowed to cook food or be in the kitchen, as they are most likely considered to be contaminating the food by being in it’s presence or by handling it. Superstition often plays a role in the establishment taboos, in this case, the actual possibility of the women contaminating the food is negligible, yet the taboo lives on due to the superstition that the menstrual blood will somehow manage to contaminate the food and the kitchen, as well as the temple, in the case of this taboo.