Author Archives: Fragments

Baking Challah and Learning New Bread Recipes During Quarantine

Nationality: Italian-Irish-American
Age: 20
Occupation: USC Student (Mechanical Engineering) and Technology Assistant at USC
Residence: 2715 Portland St Los Angeles CA 90007
Performance Date: 2/8/21
Primary Language: English
The speaker would bake bread and then leave it uncovered in the apartment’s shared kitchen area. Slowly, bits of Challah would disappear from the loaf.

My friend baked a lot of bread after the USC autumn semester ended, and the kitchen filled with bagels, pretzels, pizza, focaccia and Challah. I especially liked the Challah, which maintained a doughy taste after baking. I liked the bread because it was dense. My friend topped his Challah with salt, poppy seeds and sesame seeds. He has made Challah three times so far, and every time the braided bread recipe tastes different.

*

The speaker first started baking Challah because he liked how it looked, and he was high the first time he made the recipe. Challah is a Jewish bread, but the speaker does not come from a Jewish heritage. “I’m not Jewish at all. I went to… 15 years of Catholic school. People always mistake me for being Jewish. On the street in New York City.  Because, I don’t know. I’m kind of like a curly haired kid. I think that’s part of it. But also my high school is next door to like, a bunch of like, Jewish, like elementary and middle schools. There were a lot of like, you know, like practicing Jewish people around that area.”

The speaker went to a Jesuit high school and a Franciscan elementary school. He lived in a community with Dominican friars, but his father is Italian. His mother is half-Irish, He uses a scale to measure ingredients and called Challah a ‘crowd favorite.’ He enjoys learning about folklore and he researched Challah when he first made the bread.

“Turns out you’re supposed to take a little chunk of it and wrap it in tinfoil and just like scorch it. And be like, say ‘this is Challah.’ But in Hebrew culture you’re like, sacrificing a piece sort of. I feel like it’s a little bit like, kinda like pagan. Like, sacrifice. But like yeah, you don’t eat that piece. You burn it until it’s nothing.”

This speaker makes a lot of baked goods at the apartment, including edibles. He sometimes sells his edibles, but he never sold Challah. Over time, he learned to hide the Challah so that tenants did not eat the bread. One time he made the bread so that it was too dense, and fewer tenants ate that particular Challah.

*

I know that the speaker did not like that tenants took his Challah, but I really enjoyed eating this bread, even if I knew it wasn’t mine. When he made the third loaf, I began to leave fruit or other offerings in exchange for the bread I had taken. Even though other people baked food for the apartment, these dishes were usually made for a birthday or special occasion. Challah was made whenever. The speaker did not need an excuse to bake this braided Jewish bread.

I could tell that the speaker was proud of his work. He and others would sometimes ask me to watch over their bread so that no one else would steal it. I would tell them not to trust me- but I’m glad that they asked me to be their bread guardian in any case.

This is similar to the description of Ethnic Groups in chapter 2 of Folk Groups & Folklore Genres by Elliot Oring. In this chapter, the author mentions that some young adults of Jewish heritage make Cholent because it is convenient, not because they observe the Sabbath meal. While this speaker does not share Jewish heritage, he takes part in Jewish traditions via recipes found on the internet.

Good Luck to Bleed on Designs in Fashion Industry

Nationality: Afro-Latinx
Age: 20
Occupation: FIDM Student in Fashion Design, Food Service
Residence: 2715 Portland St Los Angeles CA 90007
Performance Date: 4/13/21
Primary Language: English

This friend is a student studying fashion design at FIDM, and she often alters housemates’ old clothes or creates new designs when she doesn’t have schoolwork. She attends one particular class that requires she use a small mannequin and canvas to create fabric patterns.

Three females including myself were in the kitchen when I asked her whether the fashion industry has any superstitions. We held this conversation after a day of work, and we discussed other folk beliefs in the same sitting. The speaker said that it is good luck to bleed on new fashion designs because this means the designer put their ‘blood, sweat and tears’ into the piece.

*

In the fashion industry, “It is good luck to bleed on things. Like if you’re pinning stuff on your body form, and you prick your finger a little bit, and you get like a little blood on like your costume or your design, it is considered good luck.” The speaker said that she had accidently done this while creating her own designs, and that she learned this tip from a female professor.

Designers are not supposed to bleed on purpose. Doing so ruins the sentiment. I asked if blood was still a good sign if the design were made out of expensive fabric, and the speaker said yes, that’s not a problem because blood is very easy to wash out with hydrogen peroxide and warm water.

The speaker said that this superstition meant a lot to her because she has bled on past designs and believes this helped make these projects successful. “It’s kind of like that statement, like I put my blood sweat and tears into this. So like, I can’t tell you how many countless nights I have cried over literal costumes, trying to get them done. And then when they come out amazing. Like, that’s how I know. Like, I can feel that good luck, because you know, you experience it.

*

This speaker has struggled to get where she is now. She did not go immediately to FIDM after graduating high school, and she started her first year in Fall 2020. She has needed to share a room with an incompatible roommate, and she has needed to take up two food service jobs to continue working toward her passion even when is is difficult. I think the idea that blood as a symbol of struggle resonates with the speaker in part because she has needed to struggle to complete her designs.

Haunted Theaters and Ghost Lights

Nationality: Afro-Latinx
Age: 20
Occupation: FIDM Student Studying Fashion Design, Food Service
Residence: 2715 Portland St Los Angeles CA 90007
Performance Date: 4/13/21
Primary Language: English

My friend shared this story with me and another female friend one night in the kitchen after work. I asked this friend about her haunted house and she later shared that her classmates always left a ‘ghost light’ in the school theater. It was bad luck not to leave a ghost light. This friend also said that she believed her theater may have housed some recent ghosts.

This speaker went to an arts school in Tampa, Florida. She took classes in the drama department and was in school theater productions. Here is her story.

*

“Theaters are traditionally haunted all the time… they’re just traditionally haunted,” the speaker said. “After you’re done striking a set or cleaning up or after you’re done rehearsing. You’re always supposed to leave a ghost light, or the ghost, or else that was bad luck.” I asked whether the light was meant to guide the ghosts, but she said that it existed to appease them/ She said ghosts do not like the dark, and that this was ironic.

One day after practice “a student forgot to put the ghost light on, you know, it’s not anything, not a very big deal. It’s literally like a stick and a light ball. And you roll it out onto theaters, like, but we just forgot about it. And then the next day, like a spotlight fell, and that was really bad.”

The speaker said that there were some specific ghosts she thought haunted the theater. “There were a couple of tragedies that did happen at our theater. And there was actually some of them were actually pretty recent. So I’d like to think there were good spirits rather than bad spirits,” she said. The drama director’s brother had passed away that year, and the speaker said that she would like to think that he came to see the productions at the theater. The speaker also added that a young actress had died of a disease in the past, and that there was a plaque in front of the theater honoring her memory. The speaker said that she would like to think that the actress’ ghost visited the theater as well.

When I asked what this meant to the speaker, she said that the young actress had “put so much of her craft into theater.” I suspect that knowing that deceased guests might visit the theater is comforting to the speaker, and that these two particular ghosts help future productions.

*

The speaker has shared other ghost stories and believes that these stories are real, so it makes sense that she would believe these ghosts could be real as well. She began telling this story discussing ghost lights and bad luck, but the story ended on a note of good luck. I was taught to act as if a god was always watching, and I know many people feel comforted to know that someone else is guiding them during stressful parts of their life. It might be comforting to know that ghosts are watching over stage productions as well, since the ‘good’ ghosts the speaker mentioned had theater or theater-adjacent backgrounds.

I did not know that movie theaters and stages are supposed to be haunted or that actors would leave a ghost light. My school had a small theater that we used for small class meetings when the drama department was not at practice. I can’t remember a specific light that was left on the stage, but the room was never completely dark. This was likely for security reasons.

The haunted theater trope may be due to the fact that theaters serve as a sort of liminal space when not in use. Theaters are such specific buildings, and sticking around after the show is not an expected reaction. Only janitors and stage crew might remain after a show is over.

Additionally, members who know about the ghost light are ‘real’ members of the theater community. They understand the traditions of other actors and stage crew, and they are part of an in-group.

This story also draws upon similar ideas as the article ‘Ghostly Possession of Real Estate: The Dead in Contemporary Estonian Folklore’ by Ulo Valk. Actors and other community members who believe in ghosts come to terms with tragedy by carrying out traditions in the hope that loved ones continue to exist in the ‘haunted theater.’ The ghost does not necessarily need to be buried near the theater, rather the theater belongs to them because their devotion to acting tied these ghosts to this particular spot.

For another ghost legend by the same speaker, see ” Haunted House in Indiana- The Funny Man and the Woman with the Red Eyes: Sleep Paralysis and Two Traveling Ghosts” in the USC digital Folklore Archive.

Dog Guardian or God Watching over the House in the Form of a Dog While Family is on Vacation

Nationality: Caucasian American
Age: 15
Occupation: High School Student
Residence: Azusa, CA
Performance Date: 5/2/21
Primary Language: English

Because this interview exchange took place with my sister, I was able to ask in-depth questions about the events and beliefs she discussed in her stories. I remember the day she describes in her interview. We had just gotten home from vacation and a little dusty white dog met us at our car. We don’t own a dog and thought the animal was a stray. I didn’t think much of that event, but this experience had a large impact on my sister, who believes this dog watched over our home while we were away on vacation.

*

My sister said that God works through people and animals, and that during a conversation with our neighbor, she learned that the animal has been seen wandering around our house in the time we were gone. Our parents feared that the house would get robbed while we were away. They prayed that God would keep the house safe and that no one in the community would notice we had left.

My sister described how our parents would hush us any time we mentioned that we were going on vacation. We couldn’t talk about it outdoors, and while packing, we always kept the car closed to avoid showing passers-by a trunk full of suitcases.

One time when my sister and mother were not on vacation but rather at school and at work, the house did get robbed. They arrived home to find the door swung open and an alarm blaring. My sister said that this was a very bad experience, and that at first she couldn’t believe that the house had been robbed. She thought someone had come home early or that someone had left the door unlocked.

My sister said that she was not sure whether the dog was God or a messenger, but she did say that she believed it watched over the house while we were gone, and that she hadn’t seen it since.

My sister also mentioned that she is training for Confirmation, a sacrament of initiation in the Catholic faith that allows high schoolers to reaffirm their belief in church principles. She said that she had not met any other animals or people that she believed had watched over her. She also said that this might be because she considers herself capable and that she wants to take care of herself.

She also said that she did not come to this conclusion right away. It was only years after this event that she came to believe the dog had offered protection. She was pleased to know that God had watched out for the house when the family was away.

*

I do not share my sister’s belief in Catholicism but I do believe in signs. I remember this event and know that the dog made us nervous at the time. It was strange that the dog went right up to our car, and I do believe I saw the animal around the neighborhood after that day. This is an example of religious folklore. There are cannon Bible stories where God talks through a donkey to get his message across, such as the story of Balaam, the donkey, and the Angel ( Numbers 22:21-39 of Revised Standard Version Catholic Edition Bible)

You can find a version of this story here:

https://www.biblegateway.com/passage/?search=Numbers+22%3A21-39&version=RSVCE

This story also relates to conversations about whether animals have souls.

This conversation took place over the phone, and the recording is very bad quality. It is important to note that our house is visited by members of a feral cat colony and other wild animals like squirrels and raccoons. These animals were not mentioned in the interview. The house is also located less than 100 yards from a homeless encampment of about 20 people.

I find it interesting that this is the story that my sister wanted to tell me most. She knows quite a lot about folklore from playing Dungeons and Dragons (see, “How Not To Play Dungeons and Dragons” in the USC folklore archive”) but this is the first story she shared when I asked her to think of a story for this archive.

Taser Tag at the Exposition Park Rose Garden

Nationality: Guatemalan-American
Age: 20
Occupation: Student at USC studying medicine, Hospital Worker
Residence: 2715 Portland St Los Angeles, CA 90007
Performance Date: 2/12/21
Primary Language: English

I heard about this game while many of my housemates were gathered around a table and drinking. The first time the speaker shared this story, he also bragged about other rules he had broken as a child or young adult. This story is an example of ‘forbidden play’ and it took place near the University of Southern California.

*

After the Exposition Park Rose Garden closes for the night, those who enter can be apprehended for trespassing. From 2013 to 2015, the speaker said that the cycling community in Los Angeles was “massive.” After one large race in 2013, the speaker’s friends gathered in the rose garden and someone suggested that the group of 13, 14 and 15-year-olds play taser tag. Cyclists carried tasers, knives or brass knuckled with them and they rode ‘suicide bikes’ or racing bicycles that have the breaks removed. ” A lot of us have very traumatic lives where we just pain sometimes makes us feel alive.” The speaker explained that about 15 of the 50 cyclists gathered owned tasers, and that the game was well received by the group.

In the event that state troopers caught the boys in the rose garden, they would scatter. Those who were caught were given “a slap on the wrist” and sent home.

The speaker never had a taser, so he was a ‘runner.’ There were no rules about where tasers could attack. ” You could taste in the nuts. It’s wherever this person lands the taser. The good thing is it wasn’t high voltage… enough to drop you on the ground. That’s it.” The speaker said he had been tased in the neck. Girls could attack with tasers but the speaker said they seldom outran the boys. Anyone playing Taser Tag in the rose garden was fair game for attack. He admitted that Taser Tag was fun because it was forbidden, as was “using self defense weapons as offensive weapons.”

Taser Tag games with the speaker’s group occurred five times between 2013 and 2015. The last time, one member brought pepper spray and the speaker said “All 10 of us suffocated. And you’re like, Dude, this guy that comes back. We’re going to hurt him.”

The speaker said that “growing in South LA is kind of like a free for all,” and that “whenever a bunch of kids run around with bikes, I rather see them doing that than dealing drugs.” The speaker noted that some of his cyclist friends who played Taser Tag did get involved in gang activity after their group dissolved. When asked what the game meant to him, the speaker said that this “was a day where all of us no matter what ethnicity where we’re from, who we are, it’s just fun. And that fun involves a little bit of pain.”

*

This speaker retold this story in front of friends. I believe that this memory is important for the speaker because many of his friends have left or are no longer living. This memory is also important because the speaker enjoys rough activities, and it is difficult to engage in rough-and-tumble activity as an adult. I believe this time reminds him of an era where he did not have to worry about larger adult problems, and this brings a sort of nostalgia for something one can never do again.

For more information on forbidden play, see Folk Groups & Folklore Genres Chapter 5, Children’s Folklore by Jay Mechling.