Author Archives: Paul

Theater Occupational Stereotype: Crew Versus Cast

Nationality: American
Age: 51
Occupation: Associate Professor of Theatre Practice and Technical Director at USC
Residence: Los Angeles, CA
Performance Date: April 11th, 2012
Primary Language: English

Interview Extraction:

Informant: “One actress friend of mine was in a play where she had to kill a canary in the second act. So for the first act they had a live canary in a cage and then at intermission the canary was supposed to be switched for a stuffed canary which was then killed during the course of the action. And one night, I don’t know what she had done to the crew but they were feeling evil and they left the live canary onstage to see what she would do. And of course she couldn’t kill the live canary, that would be mean. So she put it under a bowl in the kitchen portion of the set and left it on the drain board in the kitchen. Uh, which would have worked fine except for the rest of the act this bowl sort of went ‘THUMP! THUMP! THUMP!’ as the canary tried to get out from under the bowl.

There were also the people who, she had a quick change* that involved running out of one side of the stage, dropping her skirt, climbing out a window, running around the back of the theatre and changing various articles of clothing that were placed along the route as she went. And the last step in this quick change was to step into her shoes and pull up the full skirt that was on the ground right inside the door that she then made her next entrance from. And one night they nailed the hem of her skirt to the floor so that she couldn’t get in the door. So she played the whole rest of the scene from the doorway.”

Analysis:

My informant’s story reflects an aspect of theater culture that has been built on stories such as this and stereotypes of cast and crew members.  Cast members are those who are the performers such as actors or actresses and appear on stage.  Crew members are in charge of production side of theater such as scenic design or working as a stage hand.  There is a negative stereotype in theater that perpetuates the idea that cast members are high-maintenance and crew members are mean.  This of course is not true, and every interaction with an actor or crew member will be unique to what kind of person he or she is.  Generally these two sides of theater production work peacefully and collaboratively, as they are united with the common goal to put on a good story for the audience.  However the exchange of stories such as this help build a stereotype in each others’s mind that the other is difficult, or in this case that crew members like to play mean jokes on actresses.  This can lead to dangerous assumptions and conflict if problems in the production occur.

This is because working on a theater production can often be stressful due to time constraints or budget restraints, and people tend to look for someone else to blame the problem on, which is an unfortunate aspect of human behavior. For example when a show is having problems, it is easier to say that it is the fault of a difficult actress or crew member than to get down to the real problem.  And when someone puts the blame on a cast or crew member, the story is generally believed because in theater we have accepted these stereotypes without realizing we are generalizing people.

There are moments when these stereotypes seem to hold true, such as my informant’s story about the crew members.  In addition to that, I once worked on a television program where the musician was upset that the set was gold and not pink.  However, these occurrences are rare. But the stereotype that cast members are high-maintaince and crew members are mean is an aspect of theater culture that affects the way people interact with one another.

My informant was born in 1961, Connecticut.  He has more than 30 years of experience in theater and has worked on over hundreds of productions.  He continues to work on theater productions today, and serves as the associate professor of theater practice and technical direction at the University of Southern California. He lives in Los Angeles, CA.

*Quick change: a term used in theater to describe a point in the play’s production where the actor must quickly change his clothes backstage before emerging back onstage.  Stand hands, also known as the backstage crew, often help the actor put on their costume to insure the speed and effectiveness of the quick change.

Theater Occupational Stereotype: Old Actress Versus Young Actress

Interview Extraction

Informant: “And then the last story is supposedly from Tallulah Bankhead who was in a play with a fairly snippy young actress who was basically telling her that she was old and irrelevant and that the world belonged to the young. At to which Mrs. Bankhead replied: ‘Honey, I can out act you and not even be on the stage.’ And the next night, in one of the scenes there was a party scene and prior to Mrs. Bankhead’s exit she was blocked* to put down a champagne glass on an end table as she exited. And she put her glass down and she set her glass so that it was like this, slightly more than half off the table and then she made her exit. And over the course of the scene the audience became aware miraculously balancing glass on the edge of the table and everyone was wondering when it would fall, and murmurs and rustlings were going through the audience. And then at the end of the scene when the stage crew struck* the glass they discovered a little piece of toupee tape under one edge of it to keep it from falling over.”

Analysis:

My informant’s story reflects an unfortunate custom that is prevalent in Hollywood, which is that the entertainment industry discriminates against people of an older age.  An aspect of the entertainment industry is escapism, and there is a desire to create a beautiful world in their films in which the audience can escape into and forget the troubles in their lives momentarily.  In the entertainment industry’s desire to do this, there has been too much emphasis put on young beauty and the sensuality that comes with it.  Therefore in this drive to create sensuality in films, older actors often have a harder time getting casted for production roles.  This has created a stereotype that older actors are not as important as their younger colleagues.

My informant heard this story from one of his colleagues at USC.  The popularity of this story suggests that the audience of this tale is revolting against the idea that only young actors are good actors.  This change in values of the entertainment industry can be seen in the currently popularity of actress Betty White who is 90 years old.  People today do not respond as well to the idea of a sensual Hollywood than they had in the past, which is part of a shift in cultural values that rejects the notion that beauty is only skin deep.  Thus the custom of shunning older actors is an idea that is currently changing, which reflects a more accepting Hollywood when it comes to age.

My informant was born in 1961, Connecticut.  He has more than 30 years of experience in theater and has worked on over hundreds of productions.  He continues to work on theater productions today, and serves as the associate professor of theater practice and technical direction at the University of Southern California. He lives in Los Angeles, CA.

*Blocked: The past tense of a term used in theater which means that an action has been planned.  When an actor moves on stage, their actions have been rehearsed prior to the performance and planned or ‘blocked’ in rehearsal.

*Stuck: The past tense of a term used in theater which means that a prop or object is being removed from stage.  At the end of every performance or during intermission, stage hands remove or ‘strike’ props or furniture that has been left on stage in preparation for the next performance.

 

Northern Californian Campfire Story: The Ring Man

Nationality: American
Age: 53
Occupation: Partner at Ernst & Young
Residence: Manhattan Beach, CA
Performance Date: April 15th, 2012
Primary Language: English

Interview Extraction:

Informant: “The story of the Ring Man goes to back when I was growing up, and my dad and his best friend Jim Kaddy who used to go camping in the woods, around where our cabin is in Lassen. And up there, there would be when we were little; there are these trees with these rings on them. There were painted white rings, around various parts of the forest. And so what they told us was that the Ring Man paints a white ring on these trees. And the reason he does that, is that at night various campers are camping out in the woods and he comes to their tents when they are sleeping. And for the girls, he leaves them candy. But for the boys he finds, he kills them. And when he kills them, he puts a ring around the tree for each boy he kills. So you should never go out at night when you are camping, or the Ring Man will get you.”

Interviewer: “So the Ring Man only kills boys? Why?”

Informant: “Because boys are noisy. But you only tell that story at night, when you are camping.”

Analysis:

“The Ring Man” is a campfire story that is unique to the informant’s family.  The story is intended to be told as a campfire story, specifically to younger children.  The reason why the story is intended for children is because only children would believe that the rings on the trees indicate the murder of little boys.  Adults know that the rings on the trees actually indicate the lumber has been marked to be cut down by local logging industry, which has a strong presence in Humboldt County culture of where this story originated.  The high number of trees marked with rings makes the story more believable to the children, because the proof of the Ring Man’s existence is something you can really see.

The violence present in the tale indicates that the authors of the story had a dark sense of humor, and created the tale to playfully tease their children.  This tale also serves as an educational warning to the young audience, in that it warns them of the evils and violence that are present in the world that they should be aware of.  In this sense, “The Ring Man” tale is very similar to other folk tales that warn children of the evils present in the world such as “Hansel and Gretel”.  Another interesting aspect of this story is the idea that the Ring Man only kills boys, because they are noisy.  This comes from the stereotypical belief that girls are sweet and quiet, which is why the girls get sweet candy, and boys are loud and obnoxious.  Therefore the performer of this tale also uses “The Ring Man” as a warning to little boys that they should be well behaved and quiet or the Ring Man will kill them.  The fact that the story puts an emphasis on the importance of being well behaved also indicates that the authors of the story put a high value on manners.

I have heard this tale many times when my family and I would go camping. When I first heard “The Ring Man”, I thought the tale was real, and I became extremely upset when I saw three trees marked with the white rings by an elementary school.  After expressing this to the informant, he explained that the tale was not real and my anxieties were soon forgotten.  There is a sense of pride that comes from the story because it is unique to the informant’s family and a part of their traditions.

My informant was born in 1957 Arcata, California to a high school basketball coach and his wife.  After earning his undergraduate degree in engineering from the University of California, Davis, he moved to southern California to obtain his MBA in business from the University of Southern California.  He now a partner at Ernst & Young. He lives in Manhattan Beach, CA with his wife and has two children.

Manton, California Tradition: The Pig Roast

Nationality: American
Age: 53
Occupation: Partner at Ernst & Young
Residence: Manhattan Beach, CA
Performance Date: April 15th, 2012
Primary Language: English

Interview Extraction:

Informant: “So the infamous family get together… so every year at the time of the fourth of July, the Forward family would hold a reunion back up at our cabin that is near Lassen in Manton, California. And that is an area that was homesteaded by our great-great-grandfather, who actually was at West Point when the Civil War broke out. And he decided that he couldn’t choose between the North and the South, so he packed up the wagon and headed out to California to avoid the whole Civil War.  Any event, they settled in Oregon originally, and then they moved down to Northern California where Manton now is. And they eventually built a lumber company there, a saw mill. So uh, in any event that is where the family homestead is and we would go back every July 4th to the family homestead, and my grandfather and his brother, my uncle, would hold a big barbecue. And the way they would barbecue was that the meal was typically on Sunday, or whatever, but the day before you would dig a big pit and you would buy tri-tip and you would put it in burlap sacks. You would season the meat, put it in burlap sacks and wet it, and you built this pit. And the day before you would get some firewood, it had to be oak to get the right coals, and you would fill that pit with the coals and then would dig out the coals, throw in the meat that is in the wet burlap sacks and wrapped in the pit, and then you would throw dirt over those, and then throw the coals over that. So it is kind of like the Hawaiian pig roasts, they way they burry the pig. And then that cooks all night long and through the next morning. So part of the fun was digging the pit and keeping the fire going. And the men would stay up all night, until usually 1:00 in the morning when they would put the meat in. And they would drinking whiskey and tell stories.  There were no women allowed, this was just a guys thing. So then, we would dig up the meat the next day that had been cooking for 8 hours and we had this beautiful tri-tip that had slow cooked for 8 hours in the earth. And then we would add some more seasoning, and that was the main meal for our big family reunion party every year. And the family reunion was always done at the cabin near the lower pond. We actually had built a little picnic area just for that one party, every year. The other fun thing we used to do is there is no refrigeration but there is a creek that runs right by the picnic area, so instead of having to bring ice or anything, the creek was cold enough with the water coming off Mt. Lassen. We put all the food that had to be cooled in the creek, so the kids would have to build a little rock dam, a little pool so that the stuff wouldn’t wash down the stream. And we put watermelon in there, and put all the beer and pop bottles there, all the stuff the water wouldn’t hurt. And that was their kind of fun thing that was the kid’s responsibility every year.”

Analysis:

“The Pig Roast” as it is called serves as a way for the family to reunite every year.  The 4th of July was chosen for the reunion date for two reasons. One, getting to celebrate Independence day with family is a fun way for the family to reflect proudly on their American heritage.  Another reason why the date was chosen was because it is a time of year that is easier for family members to travel back to Manton, because the children are out of school for the summer and July is not a busy month for farmers, and ranchers, which is the occupation of many family members.  The pig roast is always held on Sunday of the 4th of July weekend, because Sunday is traditionally a day of rest and family time.

The special method of how the pig is cooked is also part of the reunion’s ritual.  The pig is generally slaughtered from the family’s farm, and then it is prepared in a special method that has been repeated since the first Manton pig roast.  The fact that only the men in the family are allowed to prepare the pig represents a strong patriarchal value in the family, which still holds true today.  When a boy in the family is finally allowed to stay up late with the men and drink whiskey and share stories, this important event represents that the family has accepted the boy as a man.  This initiation into adulthood is also the men’s way of saying to the boy that they are ready to give him more responsibilities as an adult.

The fact that every group in the family, the men, children, and women, all have a specific responsibilities for the preparation for the pig roast is tied to the family’s history of being primarily farmers and ranchers.  Working on a farm or ranch requires a lot of hard work and responsibility so everyone has to do there part, including the children.

The Manton pig roast represents American traditions and values in that there is a strong emphasis on family, hard work, and independence, which is reflected in the origin story of the family homestead.  This is because the idea that their great-great grandfather was a pioneer in the West represents the idea that in America if you work hard and have the determination to do so you can accomplish great things.  This story is often used to inspire these ideas of success and independence in the family today.

My informant was born in 1957 Arcata, California to a high school basketball coach and his wife.  After earning his undergraduate degree in engineering from the University of California, Davis, he moved to southern California to obtain his MBA in business from the University of Southern California.  He now a partner at Ernst & Young. He lives in Manhattan Beach, CA with his wife and has two children.

 

Theater Occupational Superstition: Don’t Whistle in the Theater!

Interview Extraction:

Informant: “Ok, so you want to hear the story about why you don’t whistle in the theatre? One reason is that supposedly the first riggers* in the theatre were sailors. And sailors received their orders via whistles, which supposedly carried better than voices in the wind. And so you didn’t want to be backstage randomly whistling ‘Two Gentlemen from Veronia’ and have the scenery come crashing down on your head because you were whistling the cue* for the sailors who were doing the rigging.

The other supposed origin of that superstition is, in the days of gas lit theatre there were a couple of stage hands who’s job it was to wander around and relight any gas jets that had gone out because other whys you would get sort of a large pocket of unburned gas that would eventually get to another gas jet and you would have a big fireball and the theatre would blow up and… that was bad. So they were listening for a particular whistling sound that supposedly this gas jet that wasn’t lit would make and you didn’t want to distract them from their fairly important work.”

Analysis:

This superstition was not one that I was aware of prior to my informant mentioning this belief in one of his class lectures.  The belief is that it is bad luck to whistle in the theater, and doing so will doom the production you are working on.  There are no known ways to cut the curse.  The superstition of whistling in the theater is similar to the superstition that walking under a ladder is bad luck.  Both superstitions serve as a way to teach safety, because if someone were to break those beliefs they would get hurt.  Something could fall off a ladder and hit them on the head or a piece of scenery could fall on top of them.  You are more likely to get told to stop whistling in the theater because you are distracting the production crew than you are to be told to stop whistling because it is bad luck.  Working in theater can be very dangerous if you are not aware of your surroundings because crew members are constantly moving heavy equipment.  Distracting people from their job not only serves as a danger to yourself, but to others as well.  In that sense, whistling in the theater becomes homeopathic magic because it really will bring your production bad luck due to the destruction and distraction it can cause.

However it is unclear which one of the two stories is the true origin of the superstition.  There is a possibility that the true origin of the whistling superstition came from the first story my informant mentioned, because that theory is more well known to people in the theater than the gas-jet theory.

My informant was born in 1961, Connecticut.  He has more than 30 years of experience in theater and has worked on over hundreds of productions.  He continues to work on theater productions today, and serves as the associate professor of theater practice and technical direction at the University of Southern California. He lives in Los Angeles, CA.

*Riggers: is term that describes someone in charge of moving or lifting heavy objects using a pulley system.  The term comes from sailing speech, in which a rigger is someone who uses ropes to hoist the sails on a ship.  This is exactly what a rigger in theater does, but instead of hoisting sails they are hoisting scenic pieces.

*Cue: is a term used in theater that means a signal to do something.  A signal or cue indicates that it is time to move a part of the set or play a certain song for the production.