Tag Archives: ritual

Goosey Night (AKA Mischief Night)

Text:

M: “So on Goosey Night, we’d all sneak out and we’d bring ivory soap. It was always ivory soap. And you’d go around and you’d be putting soap all over people’s car windows so they can’t drive. And we’d throw eggs at people’s houses and stuff. People called it mischief, we called it goosey night”

Context:

M grew up in New Jersey. Every Halloween Eve, the kids in his town partook in “Goosey Night.” A night full of pranks, mischief, and mayhem.

Analysis:

The phrase “Goosey Night” is a form of esoteric form of folk speech. Most people call Halloween Eve Mischief Night, but my father and the kids he knew called it Goosey Night. By have a different, unique name for the night, the kids were able to communicate with each other in ways outsiders wouldn’t understand. The pranks and mischief of Goosey Night are rituals – repeated, patterned actions. It was a tradition for kids to break the rules once a year, on Goosey Night. In a way, the kids existed in a space of liminality because they weren’t ignorant babies or knowledgeable adults. If an adult partook in Goosey Night, they would most likely be arrested, but kids could because they existed in the in-between space.

Vietnamese & Buddhist Healing Ritual/Belief

Text

S: “So, my mom, she’s very into like, I guess like folk medicine. She’s Vietnamese and Buddhist. So like whenever we’re feeling sick, like even if it’s not like a cold, like if we’re just like, have a headache or something. Do you guys know, like the suction cup? “

C: “Oh, I’ve heard it.”

S: “Yeah. There’s one that’s called where they like heat up the cup and then do that on your back. But this one, it’s kind of like pressure. So you kind of put the cup on your back and then like there’s like a little pump and then you put the cups all over your back. And then she [S’s mom] says like, oh, the redder your back is like the more sick you are, even though that’s like pretty sure that’s not true. So like as the days go on, like she keeps doing it and like if the redness going on, she’s like, oh, you’re feeling better or something, but she’s like, oh, like helps get the blood flowing and helps all that stuff.”

Context

Whenever anyone in S’s family doesn’t feel well – whether it be an illness like a cold or just a headache – S’s mom will take cups – or coins if there are no cups – and apply a specific amount of pressure. She believes that the redder the back becomes, the sicker one is, and that the combination of the pressure and release helps purge or cure the body of the illness/unwell feeling.

Analysis

This healing ritual seems to have a two part purpose: (1) to determine how ill one is – the redness of the back – and (2) to help the body heal from it whatever is afflicting it. The small change of the color of one’s back stands in for the immaterial presence of an affliction or illness which helps categorize this as a ritual, as well as its repeated, pattern, and symbolic characteristics.

The Albino Donkey in Grand Canyon Sweat Lodge

“So our tribe is Umatilla. That’s the name. That’s the name of our tribe. It’s in northern eastern Oregon. Okay. And. And, you know, while I was out there, one of the things I do is a sweat lodge.

It’s like a ceremony where you go into, like, this mud igloo, and they get these, like, blackstone rocks, and they get really, really hot all day long.

And. And then you. You go in there. The rocks in there. And then you go in there and you sit in, like, a little crisscross applesauce, you know, position.

And they bring water in there. And then they. They close up the. The. The. The hut, and they’ve got herbs on top of there, too, like, you know, sage and other stuff.

So they get that water on that hot rock, and it just like.

It’s like a. You just hear, like, sizzling on rocks, and then that steam gets released within the hut.

Well, when you’re doing this, it. It literally feels like. It feels like your skin is melting. It’s so darn hot. You feel like. You feel like surely my. I’m gonna see, like, my skin melting off my arms because it’s so hot.

And you’re like, oh, let me blow. Let me cool myself down a little bit. So you. So you gotta blow. And it feels like you’re breathing fire on top of your skin.

Likeinstinct that’s a bad idea. Let’s not do that. So you. You have to contain your breathing in a nice, slow, slow breath so you’re not breathing too hard.

So you have to control that whole panic inset, which, you know, a lot of people can’t handle it because you kind of start to panic.

And. And then you get into this, like, you know, once you get that slow breathing, you can get this, like, really nice and meditative state.

And of course, there’s drumming going on outside where, you know, so that, that also, the, the, the drumming of the, of the drums puts you also in a, in a nice sort of trance.

And then, once you sit in for 20 minutes, there’s a river right next door.

Oh, the other thing is rivers. Like, if I’m next to a river, that flowing water is like my charger battery.

Like, I can pick up on almost anything that, like, I’m like, supercharged.

So running water is like. It’s like if I wanted my abilities to be like, on high, you know, premium, you know, optimum position of everything.

Running water. It’s just like, it’s amazing electrical or circuit for charging.

That ability, for some reason I find, at least for me.

And then you jump the water and you, you, you, you know, you pull yourself off.

Well, one of the things that they do prior to that is calledtype of cactuseremony, ya ou.

They, they prepare peyote tea. I don’t know if you. If you’re familiar with that.

Speaker 2 (shaking head), I’m not.

Speaker 1 You don’t know what that is? Okay, so peyote is a cactus type of plant or type of plant that you use part of it, and they take about like 48 hours to prepare this tea.

But it’s a, It’s a hallucinogenic type of tea, apparently.

But so you drink it, and literally, you have like half a teaspoon.

I mean, it’s very little that you drink. And then you, you know, we went on a. A hike throughout the Grand Canyon. And while we were out hiking, which is funny because I didn’t realize that no one else saw this but myself, I was watching and like, oh, my gosh, look at this white albino donkey that’s behind me, following me.

I’m like. And it had a palm leaf in. In its mouth. I’m like, wow, that’s really amazing. Like, this pure white albino donkey is following me.

He’s got this palm leaf. Like, that’s. Wow. I couldn’t even believe it, you know. Right. And. Well, yeah, I was the only one that saw that. So, you know, who knows where my mind was at? But it was, it was quite a. I don’t know, it was a very spiritual moment.

I felt very. It actually felt. I felt like it was showing me the way to go down this, this treacherous, you know, mountain in the, you know, Grand Canyons, you know, and, and the Havasupai or the Havasupai Indians, That’s who was leading this ceremony. Anyway. That was a really interesting and very spiritual. Very beautiful, enlightening experience as. As far as, like, at that point when you’re under that influence, You know, you feel so connected to Mother Earth and Your ancestors and stuff like that. You feel like they’re guiding you in, you know, teaching you the ways of What, like, you know, what life, what truly living is, you know, like, you know, being, you know, take. Like when. If you go hunting, you don’t. You don’t. You don’t kill the first animal that you see of that species. You wait till you see more than one, because if you only see one, that means that the population is not enough to support your hunting. Right, right. It’s just being mindful. Right? Mindful of, you know, the nature and, you know, what, what you, you know, how much you take is what you’re going to receive.And so, you know, don’t always use all of the animal, always using all the plant or, you know, you know, just being mindful of all that stuff.” 

Her thoughts : 

She sees this as a deeply spiritual and meaningful experience. She describes feeling connected to Mother Earth and to her ancestors, and believes they were guiding her and teaching her ways of living. In particular, she emphasizes ideas of being mindful in nature, such as how and when to use resources, including animals and plants, and living in balance rather than excess.

My thoughts: 

This was, by far, the story that felt the most cultural and spiritual to me compared to the other ghost stories she shared in that session. It also generated the most questions for me. I really enjoyed learning about the Umatilla tribe, and it made me curious to hear more about their habits and ceremonies. Before this, I didn’t know anything about the tribe, the sweat lodge ceremony, or the Havasupai who led it.

I found myself wondering about the structure and purpose of the ceremony – why they hold it, how often it takes place, and what it is based on. Is it connected to a specific time of year, a need within the tribe, or some kind of celebration? I was also curious about the physical experience itself: how many people are inside the hut, whether there are multiple huts, and if everyone participates in the hike together afterward. Even small details stood out to me, like the peyote tea – why it takes 48 hours to prepare and how it is actually made.

I was especially interested in the moment where she saw the white albino donkey. Within her belief system, that kind of animal can be understood as sacred or spiritual, which made the moment feel significant. The fact that it was carrying a palm leaf in its mouth made me think it could be interpreted as a kind of message, especially since that is not something I would expect to see in that environment. I even tried to look into what a white donkey might symbolize, and found that in different belief systems it can represent ideas like peace, wisdom, or guidance.

Overall, this story felt like a combination of a ghost encounter (the donkey) along with a spiritual experience shaped by cultural beliefs and ritual.

Tomb Sweeping Day [Qingming Festival] Rituals

Age: 19

Text:

Tomb Sweeping Day, or [Qingming Festival] in Chinese, is a traditional, nation-wide festival that usually takes place in April. It is typically when we would go to sweep the tombs of our deceased ancestors and honor the family members who passed away by just cleaning their tombs, bringing food to their tombs, and sometimes burning fake money in front of their tombs.

These acts related to this traditional festival carry their own symbolic meanings. For example, burning money—typically, it will be fake paper money—is a gesture of providing basic needs in life, or ensuring the material needs, for our ancestors. We will also put food like fruits, desserts, and nuts, or anything that the deceased loved to eat, on top of their tomb. This, symbolically, allows them to enjoy the food they like to eat and enjoy the material well-being we as descendants provide for them in the afterlife. I think that through these acts of giving, or offering, of material things, we are trying to give back to our ancestors who passed away the way they took care of us before. And so our ancestors wouldn’t have to worry about not having enough food to eat or money to spend in their afterlife.

This, to me, is also a way of expressing reassurance—a way of telling them (the deceased ancestors) that we are having a good, decent, and dignified life, and we are making genuine efforts in our lives as independent and capable individuals—so here’s the proof: we are making our own money, and we are buying you food, so no need to worry about us!

Family members typically gather together to visit the tombs of their ancestors. Some families, like mine, would typically talk to our deceased loved ones in front of the tomb. We would update them about our recent lives, like our progress at school or at work, just like having an everyday chat with them when they were here, right in front of us. Finally, at the end of this tomb sweeping ritual, we express kind words and blessings to them in their own world.

Context:

The informant learned this ritual by participating in this festival every year, visiting the graves of ancestors with his family since he was a child. As time passes by, he begins to remember the important steps of this ritual, such as burning paper money and talking to the graves as if speaking to ancestors. He thinks that this festival is meaningful in the sense that it allows everyone who participates in its rituals to remember their loved ones who have passed away, and show them care.

Analysis:

  • Death and afterlife: The Tomb Sweeping Day (Qingming) rituals reflect the Chinese’s beliefs about death and afterlife in their culture—people believe that when someone passes, they don’t end their life entirely, and instead, they are just living in a different space and dimension, in their afterlife. This belief in “afterlife” has many cultural origins, including, possibly, Buddhism’s impact in China.
  • Performance: This ritual is performed by a family, with all family members, as a group. This makes tomb sweeping on Tomb Sweeping Day almost a familial thing. This reflects unity and family harmony’s importance in the Chinese culture. In addition, the performance of this ritual—showing up, bringing food, and burning money—is an act of showing respect for the deceased ones in a symbolic (not material) way. Even though the “food” and “money” cannot get to the deceased ones on a material level, on an emotional level, it is an effective way of showing love and care.

“Shit Damn Motherfucker” – Theatre Ritual

Text: “Shit damn motherfucker / motherfucker damn / this dumb bitch just stole my man / got to find another fucker better than the other fucker / shit damn motherfucker / motherfucker damn”

Context: HC is a Theatre BA at USC, and has performed / participated in many musicals on campus.

HC: I first encountered “shit damn motherfucker” during MTR’s Fun Home, my first show at USC. If I’m remembering correctly, the seniors taught it to us. You repeat it three or four times, starting really quiet and getting really, really loud, like shouting and jumping all together. It’s like– a way for the cast to get energized and pumped for the performance. From then on… I believe I’ve done it before every USC production I’ve been a part of? It just gets passed down by word of mouth by those who’ve done shows at USC before, which I think is very special. I love it, because it gets everyone connected, grounded, and really free before a show. I think it’s like… a way to get the cast out of their heads and into their bodies. Allowing them to be present and prepared for the work they’re about to do!

Analysis: I agree with HC’s analysis of this–I think the ridiculousness of the tradition allows for an outlet for nerves. It’s a reminder to not catastrophize or overthink–instead allowing the actors to have fun, jump, scream, swear in their friends’ faces, and get adrenaline up for the performance. Similar to a lot of pre-show rituals for theatre, it’s a unifying experience, and something of a reset for the entire group before undertaking a practiced performance.