Tag Archives: Pakistan

Jinns

Text:
“Jinns are in the Quran and they are creatures made by Allah and they can’t be seen by the human eye. They were created before mankind was created. Unlike ghosts or spirits they are a separate entity, just like cats and dogs and birds and other species, and human beings can’t really see them and they were created from a smokeless flame or something like that, like how God created humans from dust and dirt. When God made Adam, jinns were made before Adam, God asked all the jinns to bow down to Adam and one jinn did not. This jinn refused to bow down to Adam which earned him the wrath of Adam. This jinn became Shaitan, or Satan. There are good and bad jinns though.Growing up in Pakistan it was a very inherent factor of our culture to believe in jinns, my mom was a big believer and my dad was very pragmatic. My mom used to hide it from my dad and go to this shaman or preacher who would read from the Quran to get the bad jinns away from my mom. My mom had a very troubled life and her mother believed it was the jinns causing this trouble so they went to this person. Fast forward many years and my sister was unwell so the religious person came to my house, and my dad had a garden he loved. The garden had this wooden statue, and the woman came over and said that a jinn was in this statue. I was a bit naive, and I went to that statue and threw it out so my sister would be better. It didn’t work though, I just got in a lot of trouble with my dad. They say some people could see them and they could take the shape of different things, like they could be this chair. There was actually a second hand belt I had got somewhere and in my mind I was so convinced it was a jinn. So eventually I drove it outside and I pulled out my zippo lighter and I burned the belt. And I was kind of susceptible at the time, a lot was going on in my life at the time. I’ve become more pragmatic now but there’s a part of me I can’t shake off. I was convinced i got rid of the jinn after burning it. Even if I didn’t really get rid of it, I got rid of one element, one thing that was bothering me, now I can move on. 

Context

J is a 47-year-old woman who grew up in Pakistan until she was in her mid-twenties. Her family is Muslim, though she’s currently no longer actively practices the religion. 

Analysis

Jinns seem to be a part of the Muslim religion’s sacred creation story, part of the myth of how the earth was created. They were created before man and there is myth surrounding their own creation, they are believed to have existed way before humans and continue to exist in the world. The speaker mentioned how Disney has turned these religious figures into a mythical, magical version of a blue “genie” in a lamp. This is another example of how Disney has taken folklore through tales and myths and turned them into caricature versions of themselves. Because of Disney’s prominence, this is the idea we first get when we think of jinns, even though it’s very far removed from the actual beliefs surrounding jinns. Through her information I can see the connection between the jinn and the genie lamp, because jinns are able to transform into objects. jinns aren’t actually a magical blue creature as Disney has sold us though, they seem akin to angels to me. Islam is an Abrahamic religion, so it has similar roots and stories to Christianity. The story of Shaitan is extremely similar to Satan and the story of Lucifer being cast from heaven and turned into the devil for not bowing to Adam. The speaker then shares her personal experiences with jinns. Her last story highlights the importance of ritual. She says even if there wasn’t really a jinn in the belt, that ritualistic burning helped her move forward and release trouble that was going on in her life. This exemplifies how even when folklore isn’t supported by science, it doesn’t mean that it is false. These rituals and creatures can provide real experiences for people that are very meaningful and impactful. 

Namaz E Janaza

My informant is Pakistani and has lived in many countries worldwide, yet has deep knowledge of his culture and is very associated with certain events and occasions that occur in Pakistan.

Funeral Ritual:

This prayer, typically known as “Namaz E Janaza” is a common type of prayer “performed at funerals”. It is a ritual that has “existed in Islam for a very long time” and is “very important to our religion and culture.” The ritual is illustrated by a “group of people that are praying as the body is put in front of them” He states that it is because “everyone is praying towards god when the body is also there” conveying the influences of religion on their life. The informant also states that it is “the same Islamic prayer from the Qur’an that people read.” It is a widely known tradition in South Asia, specifically Pakistani culture when it comes to funeral rituals and events that must take place in order to properly bury a body.

Context:

The ritual is “always performed by men in a room separate to the women,” and the informant continues to assert that “they cannot be together and a woman cannot speak the prayer to the body” highlighting the strict nature of this ritual and the specific cultural customs on death and funerals. It is usually done in Pakistan but also occurs in other Muslim countries that still honour this method of performing the funeral ritual. It is a very important aspect of how the body is sent to heaven and is a pivotal step in “family healing using religion and ensuring they continue in heaven”

Analysis:

The religious aspect of funerals is very common in many cultures, however, in Islamic culture, the split of the men and women into separate rooms signifies the power that the prayer holds as it is part of their tradition. Death and prayer being portrayed in a ritual allow families to use the religious scripture provided to them as a mode of grieving their loved ones in a structural manner, making it easier on the family that is closer to them. Although, the formality of the occasion eliminates personalisation of the funeral and family members when burying and honouring the dead as they must follow the known written words instead of making them uniquely theirs, which is seen in other cultures. However, it is a religious and important part of their cultural identity, therefore, the prayer does not solely mark the death of an individual but paves a path to their god that they are praying to, following the practices of their culture and tradition as it is passed down.

Luddi

The informant is one of my Pakistani friends who has lived in many different countries, yet is very attached to the culture of his heritage and is very involved in the rituals, ceremonies and overall traditions that are tied to his roots in Pakistan.

Dance:

The informant describes this dance, the Luddi, as a “circular formation that people dance to”. This dance entails the “clapping of their hands and spinning in circles as they are still moving in a circle.” Although the dance is not usually performed for a certain scenario or moment, it is “usually done at celebrations and ceremonies like weddings and dinners with the family” who are brought together and dance to specific songs that link to the informant’s culture. He describes his times watching the Luddi as a “coming together when [they] have not seen each other in a long time” and celebrating the family or a certain event happening at the time. It is always performed in Pakistan when the entire family joins, his family always visits to “celebrate their cousins, aunts, uncles and all the elders that have given us the privilege we have” conveying the importance of the dance in Punjabi culture.

Context:

The Luddi is typically done with “the group of women in the family that are important to the celebration or occasions” and this can range from “family of the groom or bride in a wedding or the parents and siblings of the birthday person.” The joining together of the women in a circle gives them a chance to “celebrate in a space without the men involved”. Although it is usually performed by older women in the family, younger women around the age of the bride and/or person of significance are able to join the dance and “learn the significance of what it means to become an adult woman” in the family that has their culture embedded into their daily lives. Luddi is msot typically seen in the winter and spring when all the family members come back from their travels for the wedding season, therefore, it allows the women to not only celebrate the occasion but also the family and other women.

Analysis:

The formation of a circle as part of the dance highlights the cycle of their culture and the generations that come together to form a chain that connects. It is creating a personal connection between the women of the family in that certain moment, growing as the girls grow and join the dance to celebrate each other. The clapping of their hands emphasises the celebration of the occasion and also creates a unified sound that the woman can sing and dance to, establishing their heritage and Punjabi culture in the form of performance and expression of their joy into feelings. The incorporation of this dance at weddings, which is also presented to be an important and momentous part of the culture in South Asia, highlights how the family is the base of their culture and even the women have their own traditions and rituals that create unity. Furthermore, the circle growing highlights the chain of Punjabi women in the family growing and the representation of the elders teaching the younger traditions to keep the culture alive.

Mithai

My informant is a Pakistani male that has lived in many different countries across the world, yet his attachment to Pakistan and its culture plays a significant role in his life and how he lives.

Traditional Food:

Mithai is a “type of box or category of sweets” that exist within Pakistani culture. It is comprised of “different sweet treats and toffees that you give out to houses at the weddings.” He describes these sweets as a form of an invite for party favours that occur at the wedding. The sweets are often seen as a ‘thank you’ or token of appreciation and reminder of the wedding, they are the “staple sweets at Pakistani weddings”

Context:

The Mithai is usually made by certain stores in Pakistan that specialize in providing the sweets “on a large scale when they also are able to maintain the best quality” for the guests. Even though my informant is Pakistani and has seen these sweets at weddings and different family events that he has attended, it is “a general desi traditional sweet that also exists in India”. This sweet is provided before the dinner or reception as a sort of snack or small bite in order to keep the guests satiated and entertained for the long day of traditions ahead.

Analysis:

The incorporation of food into big events in Pakistan such as weddings allows the guests to feel like they are being cared for in a certain environment. It ties it back to their culture as the unified feeling of togetherness that is provided in the event is seen through Pakistani food as a whole which is usually made for sharing and family-oriented events. The ability that their culture possesses by bringing their families together with food allows them to maintain their connections with the children and set in place the values that they hold when prioritising family. Furthermore, this is seen in the wedding sweets as the guests are seen as part of the family and are given the opportunity to celebrate the day with the community whilst being fed and incorporated into a family tradition.

Sufism: Qalander and the Tradition of Jhuley Lal

Nationality: Pakastani
Age: 64
Occupation: Federal Government
Residence: N/A
Performance Date: 2 May 2021
Primary Language: English

Context: Some research showed that other sources spell Qalander and Jhuley Lal differently than informant JL, a former federal senator from Pakistan, did. This may be because of translation to the romanized alphabet, but the different spellings are Qalandar and Jhulelal. Regardless, Qalander is a Sufi, likely referring to Lal Shahbaz Qalandar, who lived in the 12th century and was buried in Sindh, which JL notes is his former country. Below, JL relays his knowledge of Qalander and his annual tradition of dancing. 

Main Piece: Transcript:

JL: One of the Sufis, his past name is “Qalander”, who is a very popular sufi. He also has an annual event, and his event is also marked by dancing… Even though he is a Muslim Sufi, most of his followers are Hindus because they believe that this Sufi is a reincarnation of a Hindu god… called Jhuley Lal. The word Jhuley means in the local language “the rocking” like dancing… and Lal actually is the red color. He used to wear red dresses always and he always used to dance going around in circles. And that is why people go in his tradition, and they all dance and most of them also wear red clothes. So you have a Muslim Sufi who is a reincarnation of a Hindu god. And there were people in millions even coming from across the border who are Hindus, and of course you also have Muslims. It is also in my former country, it is in the province of Sindh… His shrine is in a city, where you have the annual event where people will go and dance…

JL: So what happens is when the region was locked by terrorists for a time, who were hardcore islamists, they wanted to put a stop to this dancing, as you can understand you have man and woman rocking together at the shrine. Maybe 10 to 15 years back, the terrorists had actually planted a bomb in the shrine… and the bomb exploded and about 150 people died. And they thought that by doing that they would put a stop to all these followers coming to the shrine… And the tradition was that every morning at 4am they would ring the bell. And right after that explosion which probably took place at night, on the dot at 4am the caretaker of the shrine rang the bell and people came back to the courtyards and started dancing and nobody was afraid, so the tradition continued. 

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I continued to ask JL about the strength of the belief in Sufism (for more, see Sufism: Festivals). He told me that, for the Sufist’s belief, so long as you were dancing and following the tradition of the Sufi, nothing bad would happen to you. The tradition of Jhuley Lal was so strong that not even a murderous bombing would stop the followers from dressing in red and dancing in the courtyard. 

Thoughts: Sufism is a firm belief system whose followers believe in devoutly in the hope that it will bring them good fortune. Even through death and tragedy, their devotion to Sufism did not waver, and I think that makes Sufism and its festivals powerful traditions. There’s certainly something to be said here about Sufis as role models for a population. The community of Sufists believe in these Sufis because of their positive qualities, and they practice traditions like dancing in red dresses so that they can imitate those positive qualities and find good fortune.