Tag Archives: plants

White Sage Smudging – Shelby S

• (co-opted) Indigenous American practice

Whenever Shelby moves into a new place, permanently or just for a short period of time, as well as after an occurrence thats makes her feel her space has been “dirtied” with negative events or emotions, she “smudges” by burning white sage with the window(s) and door(s) open to “release” the negativity.

This is a ritual among Indigenous Americans on the West Coast, where Shelby grew up (she is Black), which is performed to remove harmful spirits, forces, and “energy” from a structure, place, or person. As she’s gotten older, learned about the endangerment of white sage due to the spirituality industry’s overharvesting, as well as the general problems with appropriating Native American religious traditions, Shelby put effort into developing a sustainable and thoughtful relationship with white sage smudging and other practices only known to her because of the Indian-mania of American culture during the mid-late 20th century in which she was raised. 

She also burns other leaves and barks, such as cedar, that are used for smudging in places like West Africa. She says various affirmations, sometimes out loud and sometimes in her head, that call in protective spirits and forces while expelling harmful ones. The change in smell alone makes the space/person/object feel anew, and bugs tend to not be fans of aromatic smoke, illuminating potential origins of the belief in the “cleansing” powers of white sage, and smudging in general. 

Tayoon: A Botanical Blessing

Original:

طيون

Transliteration:

Tayoon

Translation:

There is no translation

The informant is a family member of mine that has lived in Lebanon for the entirety of her life and has grown up learning the significance of certain rituals and traditions with the world around her. 

Medicine:

The informant describes this medicine as a plant that is seen very traditionally “in many Arabic or Lebanese homes”. Although the plant has an original term and transliteration, it does not have a direct translation to the English language and is “similar to the leaves grown on herbal plants”. The plant is used to heal most wounds that include “deep cuts, scrapes and other physical injuries that required care” and is done by cutting up the leaves and making it into a “paste-like texture” and rubbing it into the wound. She states that it must be wrapped on the wound and left with no other ointments or medications as it is said to “clear the wound of any bacteria and also help it heal with the nutrient provided. The elder of the family, “usually my grandmother” my informant states will usually rub the plant into the wound and say a religious prayer to accompany the physical healing for general health and prosperity.

Context:

Although it is believed to have physical healing properties similar to aloe vera, it also holds religious significance as the plant was believed to have been the “Arabic blessing from god onto [their] gardens.” This is due to the plant not being seen anywhere besides the Levantine region and is seen as a gift that is only presented to them with its supposed healing powers physically and religiously. It is seen in most elders’ gardens as it was believed to have been the most “beneficial plant for bodily treatment”. The religious prayer was usually from the Islamic book, the Qur’an and would denote speeches from there to “help the kids who get hurt from their everyday activities”. The informant states that “it was important for me to do the same for my children and grandchildren because I still believe in this plant’s medicine and how god will listen to us” conveying its importance on her family and bloodline.

Analysis:

The plant is seen as more than a healing alternative to modern-day medicine as it seems to be still used to present the significance of culture on the healing and growth of children who get hurt and are treated with this plant. Religiously, the implications of the medicine being a gift from god allows the elders of the family to be seen as authority figures performing the acts of god on the children, healing and removing their worries from a situation through the use of plants grown in their garden. This blessing of the medicine in Lebanese culture plays a larger role as my informant still believes that it is the most suitable for most cases of harm, presenting it as a sort of ritual. It signifies the transferring of culture from one generation to another as she still uses it today on her grandchildren whilst teaching them the benefits. The life cycle of a plant may also be used to depict the human life cycle as it is also religiously associated and presents connotations of healing, allowing younger generations to feel connected to this certain folk medicine for the rest of their lives and offering them protection.

Tale of Two Brothers – Tale

Nationality: Korean American
Age: 18
Occupation: Hotel Clerk/Student
Residence: Los Angeles
Performance Date: 28 March 2023
Primary Language: English
Language: Korean

Context:

G is a Korean American freshman studying Computer Science at USC. She has heard this story from her mother, who was born and raised in Korea but moved to Hawaii. That’s where G lived before she came to USC. According to G, her mom has told her this story countless times, and it is a very popular and well-known story.

Text:

There were two brothers, Heungbu and Nolbu, and they were both from a rich family. Nolbu is the older brother, he’s very greedy. The younger brother is Heungbu and he’s very kind. When their father died and it was time to split the fortune he left behind, the older brother takes everything. But, Heungbu is nice, so he doesn’t fight back or anything. He just accepts it.

There was a baby bird, a swallow. There was a snake trying to eat the swallow. Heungbu chased the snake away, saving the swallow. The baby bird had a broken leg, and Heungbu treated it for him. Three days later, the swallow got better, left, and came back with pumpkin seeds. So, Heungbu plants it in his backyard and when it was time to harvest, the pumpkin was full of treasure and gold.

The rumor spread that Heungbu became wealthy. His brother, the greedy one, asks him how he got so wealthy. Heungbu tells his brother. When Nolbu sees a swallow, he purposefully breaks the swallow’s leg and then heals it. The swallow comes back with pumpkin see, and when it was time to harvest, goblins came out of the pumpkin beating up his children and taking his fortune away.

Analysis:

This tale outlines two very stark characters in close contrast to showcase a logical sequence of events that follow their lives. Tales travel along the supernatural and realistically impossible, operating on events and logic that do not apply in the real world. There is no pumpkin seed in the world that can summon treasure and gold, or goblins (goblins do not exist or been questioned to exist like a yeti would be in a legend). There is no animal (real world entity) that is magical enough to differentiate magical pumpkin seeds, like that swallow. The objects of the folktale on which the plot occurs and the characters are propelled are illogical and extraordinary, an irrefutable kind of “not real” that occurs in a world that is not our own. However, though the events and plot devices themselves are not real or rational, what is logical is the actions of the characters caused by the devices. According to Oring, a “tale’s climax is the logical result of an episodic sequence.” Heungbu’s kindness and benevolence is met with Nolbu’s greed and malevolence, earning both of them respective consequences based on the caliber of morality their distinctive personalities the real world’s principles hold them in. These characters are unchanging and idle to exaggerate those social noems. It is accepted that kindness earns respect and good fortune, and as Korean culture is mostly dictated by Confucian values, Heungbu’s loyalty to his family in spite of his brother’s mistakes makes him a template of good character for Korean culture. Nolbu is the opposite; insensitive to family, uncooperative, and endlessly greedy, hence a moral villain for his Korean audience. This tale engineers Korean culture values into a supernatural order of events that follow a logical reasoning, so that the resolution is not only predictable for the audience but inevitable and therefore applicable in metaphor in real life.

Gardening for Love and Luck

Informant Information – LM

  • Nationality: American
  • Age: 20
  • Occupation: Student
  • Residence: San Pedro, California
  • Date of Performance/Collection: April 24, 2022
  • Primary Language: English

The informant describes herself as a practicing Wiccan. She learned these gardening practices from her mother. She shared this information with me in an in-person interview.

Informant: 

I’ve learned that there are a few plants that every Wiccan should have. 

For example, every witch should have a rosemary bush planted in their front garden or near the entrance of their home. Rosemary is used in lots of magical practices, including cleansing and protective rituals. 

Lavender should also be planted near the entrance of the home, as it is said to attract love and happiness. 

If possible, mugwort is also really common in Wiccan’s gardens, as it is frequently used in divination rituals. 

Analysis:

The role of intention is very interesting in this piece of folklore. My informant specified that it isn’t just the plants themselves that are magical; the act of planting them with the intention of drawing out their magical properties is also necessary. Thus, the planting can be understood as a sacred ritual, in which the act of gardening is completed with the hopes of achieving a desired effect. 

Leaves of Three

Nationality: American
Age: 20
Performance Date: April 7
Primary Language: English

“Leaves of three, let it be. If it’s shiny, watch your heiny. If it’s hairy, it’s a berry”

This piece of folklore is a saying to talk about how to identify poison oak. If it has three leaves or is shiny with oil, watch your heiny, meaning that it is likely poison oak. If the plant is hairy, it is a berry bush. This piece of folklore is performed typically outdoors and used for a very practical sense. It is a teaching tool to enable people to identify poison oak, whose oil will cause rashes on anyone who touches it with bare skin.

            The subject learned this piece of folklore from Boy Scouts. It embodies the type of preparedness and learning the boy scouts emphasizes and is a very practical way of remembering the qualities of a poison oak plant. The subject learned it from their Scoutmaster during a camping trip. The subject, of course, made use of it as a practical saying which is its intended purpose. They remember it because of their interest in the outdoors when they were younger, which was the reason they joined Boy Scouts in the first place.

            This saying is not just a warning for kids. It represents technical education through oral folklore. Typically, something like this would just be told by another person or read in a book. Instead, this saying was created in order to help people remember their qualities. Because of this, it takes on a different form and really represents the importance of passing down knowledge to the younger generations.